tag:blogger.com,1999:blog-26312221539176844552024-02-20T07:38:40.030-08:00Read This BookUnknownnoreply@blogger.comBlogger31125tag:blogger.com,1999:blog-2631222153917684455.post-2262171678283552992012-07-29T10:47:00.001-07:002012-07-29T10:47:52.463-07:00NoticeHello, all,<br />
<br />
This blog is going on hiatus. There are several reasons. First and foremost, I'm running out of books I actually think everyone should read. I also just have too many irons in the fire, and something has to give. However, if you want me to start posting to this blog again, please say so--if there is a demand, I'll pick it up again.<br />
<br />
In the meantime I will be reading more books, and if I come across any I think everyone needs to read, I will let you know.<br />
<br />
-best, CarolineUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-80985621418706898812012-06-30T19:10:00.000-07:002012-06-30T19:10:15.389-07:00Honey From Stone: A Naturalist's Search for God, by Chet RaymoMy copy of this book bears a poignant reminder of impermanence that the author could not have known about, but which is nonetheless fitting. Written just inside the cover in a neat, almost calligraphic hand, is an inscription;<br />
<br />
<i>James--</i><br />
<i> The title alone makes </i><br />
<i>me smile-- but the words of this book speak volumes to </i><br />
<i>my soul... </i> <br />
<i>I know you'll get it--</i><br />
<i>Happy Winter Solstice</i><br />
<i>Amy</i><br />
<br />
I'm not so sure of the name at the bottom, the first letter of which is stylized with loops and a heart and hard to read. "Amy" is just my best guess. I don't know who these people are; I found the book in a used book store while browsing there with my mother. How did this gift, this speech from one soul to another, end up in a used book store? Did the relationship fade, such that James no longer cared for the gift? Did James die, or fall on hard times such that he had to sell all his books? Was the book simply lost?<br />
<br />
James, if you're reading this, contact me; I have your book.<br />
<br />
If James (or Amy) does not contact me, there is no way I can ever know what happened. I have only this inscription, this spoor, of Mystery. And mystery, both in the sense of the unknown and the sense of the unknowable, is the thing that stalks and is stalked by Chet Raymo throughout these pages. As he says,<br />
<br />
<i>Knowledge is an island. The larger we make the island, the longer becomes the shore where knowledge is lapped about by mystery.</i><br />
<br />
<br />
Raymo is a scientist, and apparently a rather atheistic scientist at that. In many individuals, myself among them, religion in the traditional sense cohabits in the mind quite nicely with scientific ideas. If there is<i> </i>any friction between the two sets of ideas, they have long since called a truce, but not so for Raymo. And yet, he found himself wondering,<br />
<br />
<i>What is the relevance of traditional religion in the world described by contemporary science? Is scientific knowledge a satisfactory ground for the religious experience? Can the language of traditional religion constitute an appropriately modern language of praise?</i><br />
<br />
Raymo's answers to these questions, in the form of a serious of essays touching and going from his rambles on Ireland's Dingle Peninsula, are interesting enough for their content, but absolutely captivating for their poetry, a rush and surge of image and language that begs to be read aloud, that begs to be performed. And that is why you should read this book. I would read it aloud to you if I could.<br />
<i> </i><br />
Raymo is an atheistic mystic, an alchemist capable of calling from even unadorned geology and physics, yes, honey. The words are sweet on the tongue. In the end, his insistence on science instead of theology becomes less a closing of the mind upon the rigorous and narrow and more a kind of dedicated openness, a mind held taut by the dedication of not knowing and of seeking to know. As he says,<br />
<br />
<i>When I called out for the Absolute, I was answered by the wind. If it was God's voice in the wind, then I heard it.</i><br />
<br />
Raymo, C. (1987). <i> Honey from stone: A naturalist's search for God</i>. Hungry Mind Press: Saint Paul, Minnesota.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-76842298994568178682012-06-22T19:16:00.000-07:002012-06-22T19:16:36.236-07:00The New Natural Cat: A Complete Guide for Finicky Owners, by Anitra Frazier, Norma Eckroate<!--[if gte mso 9]><xml>
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So, ok, not EVERYBODY needs to read this book, just those of you who have, or might someday have, cats. And you should not read it blindly, because as good as this book is, it could trip you up if you're not careful. I'll tell you what to watch out for in a minute, but first I want to tell you what a great book this is.</div>
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<i>The new natural cat </i>is a comprehensive introduction to holistic cat care, and by extension holistic medicine generally. Holistic medicine means looking at the patient's life as a whole rather than focusing in on a particular disease or health risk. From this perspective, physical health begins with a good diet, protection from environmental toxins, and protection from excessive emotional stress. Any particular diseases are usually seen as symptoms of an underlying imbalance in the patient's life--not that a holistic vet (or doctor) won't prescribe antibiotics and so on, but he or she will also ask about lifestyle. This book is not a veterinary manual, of course, but it is an introduction to a philosophy of health and the kinds of issues a holistically-minded cat-person should be aware of.</div>
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If you're not already interested in holistic medicine, you may be wondering why you should care. The short answer is that this philosophy makes a lot of sense to me, therefor I'm recommending it. The slightly longer answer is that I more or less followed its advice with my cat, Gertie, who was a rescue cat and had several severe health problems. She did not quite get cured--she died of cancer at about nine years of age--but her initial prognosis gave her only three years, and for most of her life she probably did not know she was sick. I know, no self-respecting science geek should draw any conclusions whatever from a sample size of one, but she was my cat, ok? Her story made an impression on me.</div>
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This book is also works well as a basic cat care book, by the way--it covers feeding guidelines, how to deal with matted fur, how to give pills, how often to clean the cat box, and plenty more, all illustrated with engaging stories about real cats the author has known. A book like this can't replace a good vet (though it did help me find a good vet), but it can be the voice of experience for a first time, or even third or fourth-time, cat person. We all need one of those.</div>
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The things to watch out for begin with the fact that Frazier sometimes over-states her expertise; she's not as reliable as she things she is. For example, she categorically states that declawed cats loose the ability to walk, balance, and even stretch and exercise properly. All this is plausible, since declawing actually involves the amputation of the last joint of each toe; a human missing the ends of all ten fingers would be genuinely disfigured. While I agree with her that declawing a cat is wrong (it's possible to trim, or even cover, a cat's claws, by the way), my mother's cat, another rescue, came to us already declawed and she shows no ill effects whatever. Basically, Frazier is like the cat lady next door; she's not a vet, and she doesn't know everything, but if your cat turns up with a problem she's a good place to start because she does know more than you do.</div>
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<br /></div>
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The other thing to watch out for is trickier. Frazier talks about so many great ways to give the cats we care about great lives that it's easy to read her book and fall into a sense of responsibility for a cat's great life. It's easy to believe that if you feed the right foods, offer the right fun and games, keep a home really free of toxins, and follow all her other suggestions, that your cat will never suffer. He or she will live long and joyfully and die quickly and painlessly. And maybe that will happen for your cat. But the sad fact of the matter is that we can't actually promise <i>anyone </i>a long, meaningful life free of suffering--not ourselves, not our kids, and not our cats. And watching a cat die is hard enough without blaming yourself for it.</div>
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<br /></div>
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But that's no reason not to read this book.</div>
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<br /></div>
<div class="MsoNormal">
Frazier, A., Eckroate, N. (1990). The New Natural Cat: A
Complete Guide for Finicky Owners. Plume: New York, NY.</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-6284795088050121352012-06-09T17:29:00.000-07:002012-06-09T17:29:10.432-07:00The Practice of the Wild, by Gary Snyder<!--[if gte mso 9]><xml>
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<br />
I read this book for the first time as an undergrad, as part of an independent study project. I don't remember why I chose the book, but I do remember really liking Gary Snyder’s writing. It was as though I'd always liked it, even though I'd never read any of it before, since so much of it seemed like something I had thought myself
but hadn’t articulated yet, or perhaps hadn’t articulated as well.<br />
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Writing critically about the book, as I was supposed to do as a student, proved difficult, though. It wasn't that I liked the book so much--obviously I am capable of analyzing books I really like--it was that he wrote so well that the writing itself disappeared entirely into his content. It's like how when a window does its job you look through it rather
than at it. I look through Snyder's words to his ideas and have trouble looking at the words. Yet I can
recognize that his words are beautiful; this is, technically prose, but
many passages could be read as poetry,just for the sake of a kind of clean beauty
of language and a bright economy of idea.</div>
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It is likewise difficult to discus
the thesis of his essays critically, for not only does he present them in
mythic and poetic language, which cannot easily be reduced and
rationalized, but the mythic style is itself part of the message. The title makes a pretty good summary, if one is needed. “Practice” evokes
something like a Buddhist meditative practice, and “wild” refers not simply to unmanaged nature but to an aspect of life that is, by its nature,
unmanageable.</div>
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I am impressed by Gary Snyder’s
command of cultural detail from at least four families of cultural tradition
not his birth culture, plus ecology, natural history and etymology (I know
enough about these things myself to recognize his knowledge as genuine) and his
ability to synthesize these things to form a coherent philosophy of his own. I
am even more impressed by his ability to face and clearly love the wild world
without turning away in fear and grief. If I ever speak to him, I will ask him
how he does it. </div>
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Several points of irony appear here,
the most poignant being in a discussion of how to educate children; “so much is
changing so fast—except, perhaps, caribou migrations and the berry ripening”
(p. 56). Of course, in the past decade the climate of the far north has begun
to shift so fast that these certainties, too, are being lost. Even when This book was written, much was being lost, or in danger of being lost. It is a celebration, an elegy, of an aspect of life that is endangered. That is why its mythic rhythms cannot be too far deconstructed--there is a danger of missing the point.</div>
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Snyder is as close to being a co-religionist as anybody can be, given that I belong to no particular religion, yet am deeply religious. Mine is something of a stew of science and paganism and Buddhism and, yes, some Christianity, too. Snyder's stew is similar, so his words are oddly familiar, like home. </div>
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My favorite line in the whole book
is “All of us are apprenticed to the same teacher that the religious
institutions originally worked with: reality” (p. 152). Yes, that’s right,
that’s what I do.</div>
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Snyder, G. (1990). <i style="mso-bidi-font-style: normal;">The
practice of the wild: Essays by Gary Snyder. </i>San Fransisco: North </div>
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Point Press.</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-49122531846016459282012-05-26T18:06:00.001-07:002012-05-26T18:06:59.305-07:00NoteHello, Readers,<br />
I have not forgotten you, I've just gotten distracted by life, and have not been thinking about books much lately. But I'll get back into the swing of things with a post for you sometime next week. Ok?<br />
-best,<br />
C.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-86297183889599250852012-04-29T17:14:00.001-07:002012-04-29T17:16:39.384-07:00Reading the Forested Landscape: A Natural History of New England., by Tom WesselsOk, in point of fact, I<i> don't </i>think everyone really needs to read this book, but I certainly needed to read it, and many people have found it both enjoyable and transformative. Maybe you will, too.<br />
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But I bring this up because the author, who is both my teacher and my friend, had his retirement party yesterday, and this post seems a fitting tribute--because this is the book that made him more less a star. A very woodsy and homey star, to be sure, but the man has a Wikipedia entry. This is also an appropriate book to follow the three books on restoration landscaping I've just recommended, because this is the book that inspired my interest in suburban ecology--though I'd be surprised if anyone who doesn't already know can identify the connection. This is a book about the woods, as the name implies.<br />
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Basically, it is possible to walk into a wooded area, look around for a while at the plants and the ground, and figure out the history of the area going back decades or even centuries. This book will tell you how to do that, or at least give you a taste of how you might do it, if you keep at it long enough. More importantly, this book is a way for people to connect more deeply with the landscape...you read it and you start to notice more. It's written for central New England, and a lot of the details (which tree species mean what) will be different in other areas, but the method can be adapted to any forested area.<br />
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It's a fun book, easy to learn from, with wonderful pictures (thanks for them go to an illustrator I have never met), and I've found myself quoting from it, or at least using ideas and information from it, in person or print, often over the years. So I guess I have to take that back--I DO think everyone needs to read this book, or at least learn what it has to teach. If I didn't, I wouldn't keep passing on what I learned from it every chance I get.<br />
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Wessels, T. (1997). Reading the forested landscape: A natural history of New England. Woodstock, VT: Countryman Press.<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-35577240092327117032012-04-14T17:33:00.004-07:002012-04-18T21:11:24.095-07:00Bringing Nature Home: How Native Plants Sustain Wildlife in Our Gardens, by Douglas W. TallamyPeople interested in ecologically sensitive landscaping are generally interested in native plants, but hardly anybody has a good definition of "native," nor any clear explanation of why nativeness is important.<br /><br />This book, <span style="font-style: italic;">Bringing nature home</span>, is the exception.<br /><br />Natives, we often hear, are important because exotic plants can become invasive, or because they are not well-adapted to their new homes and so need extra water, extra fertilizer, and so on. Both are quite true, and both are very good reasons for avoiding exotic plants, but clearly they can't both be true of the same exotic plant species...explanations like these, and there are others, don't really get to the heart of the matter. They are reasons to avoid some exotic species, reasons to plant some natives, but they don't provide any cohesive justification for preferring natives categorically. These reasons do not help with questions such as are naturalized plants native? Are plants from another part of the same continent native? Are plants that were historically present on this exact spot before the climate zones moved still native?<br /><br />Nobody has clear answers to these questions--except Dr. Douglas Tallamy.<br /><br />Dr. Tallamy is an entomologist, and he therefor tends to see plant/insect interactions from a perspective the rest of us tend to miss--the insect's perspective. Some years ago, he noticed that exotic plants tend not to be chewed up by insects as badly as natives usually are--he wasn't the first person to notice this. In fact, one common explanation for how fast some exotic plants can grow is that the native insects don't know how to eat them. But Dr. Tallamy didn't look at the uneaten plants and think about the growth of vegetation; he looked at the plants the insects hadn't eaten and he thought about hungry insects.<br /><br />Being a scientist, Dr. Tallamy didn't simply take his own word for it, of course; he conducted a series of experiments and found that, yes, native insects don't usually eat exotic plants. And yes, yards with a lot of exotic shrubs have fewer butterflies--and fewer songbirds--than yards landscaped with natives (songbirds mostly raise their chicks on insects, so no insects means no chicks).<br /><br />The thing is, here on Planet Earth, all energy ultimately comes from the sun and is soaked up by plants. From plants, the energy goes through a series of animals, and makes the whole world go. Generally, the bulk of the plant-eaters are insects; insects are what a lot of other animals eat, either directly or indirectly. Planting a lot of plants insects can't eat is the same thing as shutting off the flow of energy from the sun.<br /><br />Dr. Tallamy saw all this, and, alarmed, he started talking to everyone who would listen about landscaping with native plants. The people who listened asked if he could given them anything on the subject to read, so he wrote this book.<br /><br />So, now that I've told you the moral of the tale, as it were (grow bird food: plant natives!), why do you need to read this book?<br /><br />First, Dr. Tallamy delivers his message better than I do. He is one of the few writers I know of who can write well for both academic and popular audiences, and <span style="font-style: italic;">Bringing nature home </span>actually follows all the major rules of good academic writing (clear, simple, and properly cited), while still being enjoyable to read--even if you're not an ecology geek. On the page (and in person), he is the very opposite of intimidating.<br /><br />Second, there's other important stuff in the book; helpful plant lists and tables, beautiful pictures, and little hints at the mind-bending complexity of ecology. We are so used to thinking of good bugs and bad bugs, good plants and bad plants, and the real world doesn't work that way. For example, Dr. Tallamy describes finding a caterpillar eating one of his plants. He was on the verge of killing to protect the plant, when he noticed it had been parasitized by wasps--and the wasps had been parasitized by something else. If he killed all of the caterpillars, then the wasps would have nothing to eat and they would fly away. Then, when new caterpillars moved in (they always do), no wasps would be there to keep their numbers in check. But if nothing ate the wasps, the wasps would kill all the caterpillars themselves. So in order to protect his plants from the caterpillars, Dr. Tallamy not only had to actually have caterpillars in his garden (to provide food for caterpillar-killers), he also had to have caterpillar-killer-killers, to protect the caterpillars from the caterpillar killers, so enough caterpillars would be left to provide caterpillar-killer food.<br /><br />This is how ecology works; there are no good guys and no bad guys, only a system of interactions that is only as stable as it is complex. Simplify the system--add exotic plants insects won't eat, remove insects that eat the plants, whatever it is, and something will go wrong.<br /><br />See, this provides both a definition of "native," and a reason why native plants are important; a native organism is one that belongs to a complex web of relationships. If those relationships are missing, then it doesn't matter how long the plant is been here, and it doesn't matter how nearby its home is; it isn't native. And planting non-natives will jam the ecological web, like throwing rocks into the gears.<br /><br />And of course, it's more complex than that. There are circumstances where exotic plants appear to be a good thing--places where exotics are the only known food of an endangered native butterfly, for example. See, insects don't read the scientific literature. They don't know what they're supposed to eat or not eat.<br /><br />But wrapping ones' mind around this kind of complexity, and finding out a little more about what we do know, are more than enough reason to read this book. It could change the way you garden.<br /><br />Tallamy, D.W. (2007). Bringing nature home: How native plants sustain wildlife in our gardens. Timber Press: China.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-69322654280932418972012-04-14T17:11:00.003-07:002012-04-14T17:45:43.808-07:00Planting Noah's Garden: Further Adventures in Backyard Ecology, by Sara SteinLast week I recommended Noah’s garden, by Sara Stein. This week I’m recommending the sequel, Planting Noah’s garden. Actually, there are three members of the series, a kind of gardener’s memoir. The first of the series is My weeds, which I haven’t read. But the latter two members of the series are fantastic. Read them, please.<br /><br />Noah’s garden is Ms. Stein’s account of converting her property from an unusually large version of a standard suburban yard (six acres) to something more like…recovering wildness. The book is a brilliant introduction to ecology by way of explaining why she did what she did to her yard. The sequel, Planting Noah’s garden, explains how she did it—and how you can do it. There’s garden planning and how to order bare-root stock and where to buy seeds. There’s how to rescue plants from development and how to organize a plant buying club. Most inspiring, the memoir continues and we get to hear what happened after the previous book was published. What happened was a gardener who happened to be a writer became an in-demand speaker and teacher and then—one day at the end of one of her classes the students refused to leave. Within a few minutes they had become a different kind of gardening club, a group people working together to rehabilitate their yards and, by the way, have a blast.<br /><br />The take home message here is if you set out to do something—fix your yard, say—and keep going with it, you can become someone making a real difference. There’s quite obviously nothing Ms. Stein did that the rest of us can’t do (except she was an uncommonly good writer). And yet David Mizejewski—the simple thing for you to do is Google his name, he’s kind of a big deal in wildlife-friendly landscaping--credited Sara Stein as a major influence.<br /><br />See, I love practical dreamers. They’re my favorite kind. You think of something you want to do and you find some small part to start working on, and you keep going. Do you know, everything that’s ever been done has been done by people doing stuff?<br /><br />And Ms. Steins dream is one dear to my heart; it’s also mine, or one of them (I have lots of dreams). See, the issue is that the non-human part of the world is running out of room. That’s an issue, first for the obvious reason, and second because we need the rest of them for our own survival. It’s true; you can look it up. Anyway, eventually humanity is just going to have to shrink some to get more in proportion to our resources, but since I’d rather it be by attrition, that’ll take a while. In the meantime, the more of the land we can get to do double-duty the better. Suburban yards that also work as wildlife habitat is one of the tools we have—and if you have a backyard, you don’t need to ask anyone’s permission to do it.<br /><br />And the memoir continued, and ended with a tribute to Ms. Stein’s husband, Marty. It’s a quiet little tribute, involving a large rock that this evidently marvelous man wanted, an extravagant and simple tenderness particular to him. I love that story. And oh, how I wish this story had not ended. Everyone, plant a little wilderness in memory of this woman.<br /><br />Stein, S. (1997). <span style="font-style: italic;">Planting Noah's garden: Further adventures in backyard ecology</span>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-43234335390126613432012-04-02T12:01:00.002-07:002012-04-02T12:03:52.776-07:00Noah’s Garden: Restoring the Ecology of Our Own Back Yards, by Sara SteinOk, first of all, I really, really like Sara Stein. She is a science writer, and began as a children’s science writer when her children were small. As her children aged, so did her target audience, until she was writing accessible and personable popular science books for adults. I’ve only read one of her children’s books, The evolution book, which I acquired and first read when I was ten. I went on reading and rereading for years, until I actually cited the book for a major college paper (for which I got a really good grade). Anyone who can respect the mind of a ten year old that much wins my respect in return. Aside from the more specific reasons I think you should read Noah’s garden, the book makes a clear and interesting introduction to certain aspects of ecology.<br /><br />Sara Stein died two years before I set out to try to talk to her. Ultimately, biology claims us all. Having become familiar with her writing, and with some of her work between the writing, I can say we lost a great woman.<br /><br />So, on to this book that I think everyone should read. The title is fairly self-explanatory. The Biblical Noah, of course, is our archetypal conservationist; the rising tide drowns the animals, except for the breeding stock preserved aboard the Ark. The Ark is not a permanent solution, but as a temporary refuge it makes the difference between the end of everything and the possibility of survival. During our current flood of ecological destruction, where are our arks? There are parks, of course, and zoos, but no one boat can float breeding stock for all the animals and plants there are; no dozen arks can. We need lots of arks. We need big ones and little ones, country ones and city ones, desert ones and forest ones and prairie ones. We need professional arks and we need amateur arks. So if Noah had a garden-ark, rather than a boat-ark, a garden plot planted to ride the metaphorical sea, what would it be like?<br /><br />Read this book; find out.<br /><br />I should say that you may have encountered the idea of the wildlife garden already. Landscaping for wildlife is getting kind of popular, and the principle has its organized advocates. Among the largest and most organized is the Certified Wildlife Habitat Program, run by the National Wildlife Federation (NWF) and its affiliates. Some affiliates use the older name, Backyard Habitat program, and there are other, similar, programs run by people like the Audubon Society. Basically, you fill out a form listing all the ways your yard is friendly to wildlife, send in a small fee, and get a sign for your yard stating that it is certified habitat. Walk around a suburban neighborhood and you’ve got a pretty good chance of seeing one of these signs. The yard behind the sign will usually be a glorious riot of shrubs, flowers, and decorative grasses attended by happy bugs and happier birds.<br /><br />The thing is, though, when I interviewed the former head of the Certified Wildlife Habitat program, he said that the thing that first really inspired him to get involved with backyard ecology was reading this book by Sara Stein.<br /><br />The organizations do a definite public service by popularizing the idea of restoration landscaping. Their advice is generally simple and flexible—you don’t need to do a lot of research to get started, so more people will go ahead and get started. But Ms. Stein went further. She went deeper. Ecology, as my thesis adviser likes to say, is not rocket science; you can send a rocket to the moon and back with a single equation, but there’s nothing that simple in ecology. Floating a workable garden-ark ultimately requires engaging with that complexity, and Ms. Stein does. In this book, Ms. Stein provides a lot of interesting information and ideas, but even she cannot provide a simple and complete set of instructions, a kind of ark-in-a-kit. There’s no way to avoid the process of discovery she went through. Instead, she provides herself as a role-model for that process.<br /><br />And, if you’re not ready to build a whole ark, maybe Noah’s garden will inspire you to let at least some of your lawn grow long. After all, some kinds of lightening bugs need long grass to grow up in. They eat slugs there. More long grass means fewer slugs and more wonderful little beetles that glow. I used to be really good at catching them when I was little, before I started needing glasses.<br /><br />An example; “Imagine me,” says Sara Stein, on page 107, “in the grip of conversion, reading the radical literature of ecology.” After reading up on aphids (she tells us that they are “polymorphous, polyphagous, viviparous, parthenogenic parasites of plants,” before helpfully explaining what all these words mean), she discovers that while aphids damage plants we like, and hence might be considered bad, and certain ants protect aphids and hence might also be considered bad, aphid ants also drive away any competing plant pests and accidentally protect the larvae of certain aphid-eating wasps—and so might be considered good (and, of course, if aphid ants are good, then so are the aphids that support them…). It’s not that Ms. Stein runs herself into paralysis in little intellectual circles of run-on sentences like mine. It’s that she ultimately concludes that even a garden is beyond our capacity to sort into good and bad. We can’t play favorites among organisms without getting way over our heads and probably making things worse. What we can do is be gardeners of a whole ecosystem. What we can do is maintain and guard the integrity of the ark.<br /><br />Near the end of the book Ms. Stein asks if all of this will really work; will the animals whose habitat was destroyed by development come back if we plant the world that can contain them? I’ve been asking the same question (remember I mentioned having a thesis adviser?), and almost twenty years after the publication of Noah’s garden, I am in a position to answer with a definite maybe. There are still no clear-cut answers, still no way out of detailed research and educated guesses and discovery, no blue-prints for an ark-garden. But Ms. Stein’s answer to her own question still appears to be the right one:<br /><br /><span style="font-style: italic;">Perhaps wild turkeys can return; perhaps they can’t. But when each of us, alone and in community, on acreage and in small back yards, for reasons of ecology, economy, or style has done all that can be done to restore the abundance of the land, many other animals will surely rejoin us.</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">Then it will work. Then there will be plenty. Then we will have reason for thanksgiving.</span><br style="font-style: italic;"><br />Stein, S. (1993). Noah’s garden: Restoring the ecology of our own back yards. Houghton Mifflin: New York, NYUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-71401734750507757352012-03-21T17:01:00.005-07:002012-03-21T19:44:46.318-07:00The Letters of John and Abigail Adams, by Abigail Adams and John Adams, edited by Frank ShuffeltonFive years ago, I was vaguely aware that there had once been a President John Adams, but that was about it. I picked up this book largely because I thought someone else would like it, and read it mostly because that's what I do. I read books.<br /><br />I was living in Vermont, for work, while my then-boyfriend lived in Maryland, for work. We wrote letters, made phone calls, missed each other, and planned to get together for his birthday, in July.<br /><br />I saw this book in a bookstore and grabbed it. My guy liked history, and I'd heard vaguely that the letters were romantic, and his birthday was coming up. That was all. And from such humble beginnings, oh, what a romance has blossomed!<br /><br />Since that day, we've both read this book, seen the HBO mini-series, the A&E two-part special (which isn't very good), toured their house, read a separate biography of John and Abigail each...and I, who read faster, have read a second biography of John, a book about the Revolutionary War, and some of the collected letters of John Adams and Thomas Jefferson. We're kind of besotted. Oh, and we've gotten married--I'm not sure if that's related, but maybe the Adamses helped.<br /><br />There are three reasons I'm recommending this book to everybody in the world. First, doing so gives me an excuse to tell you all that we've just had our first anniversary, and I love my husband dearly. I think the Adamses would approve of my using them as the (something of a stretch) reason to celebrate that. Second, many people saw the HBO mini-series, and it had some shortcomings. If you saw the series, you really should read up on the Adamses. Although this book doesn't cover the part where the series was weak, it's charming enough to get you interested in reading about this family. Third, both John and Abigail Adams did just about everything right that a person can do, and as such they are important role models.<br /><br />I don't mean that they never made mistakes. John Adams signed the Alien and Sedition Acts, which were patently unConstitutional, wrong, and stupid, and he should have known better. Abigail Adams refused to write publicly, as she considered her writing poor and her opinions less important than her husband's, neither of which was true. She actually begged John to burn her letters, which he obviously did not.<br /><br />But they were excellent parents, loving partners, great friends, and they changed the world. We could all learn a thing or two.<br /><br />Abigail--it is impossible not to think of them in familiar terms after reading this book--gets a lot of press as a kind of proto-feminist. She is, certainly, a feminist hero for good reason. She was, for her day, extremely radical in her advocacy for women's rights and in the assertive way in which she lived--especially toward the end of her life. Further, she was a shining example of female excellence. She was a business woman and farm manager in a time when women were expected to be neither, she spoke three languages (English, French, and Latin), she could quote long passages of literature from memory, she could argue coherently about the Constitutionality of party caucuses (among other issues), she raised four children to adulthoood, and in a day when slavery was still legal in every state, she had the gumption to ask General Washington if perhaps his military problems were divine punishment for the sin of slavery. Remember, Washington was a slaveholder. AND she had only a third-grade education.<br /><br />But she did not believe men and women were, or should be, equals. She might well have been scandalized by the idea of the Women's Movement, if she could have known about it. She was a woman of her time, as he was a man of his time. That means racism and sexism mild only in comparison to what was typical of their day. We must see them wholly if we are to respect them.<br /><br />But <span style="font-style: italic;">man </span>were they brave. You see that here. John, as a signer of the Declarations of Independance, would have been hanged if the revolution had failed. Abigail spent many nights, early in the war, lying awake listening to cannons. Both lived through the war, and they were both quite old when they died, she of typhus, he of a stroke, but in a very real way they gave their lives to their country with a selflessness and faith few people have. There are writers who see their modesty as a fiction they used to cover their ambition, and certainly they were ambitious in some ways. John, particularly, wanted to be noticed and remembered for his service. But I think the modesty was also genuine. They just really liked this country. They were the real deal.<br /><br />And in this book, you get to see the ordinariness inside that strength. Philosophy, politics, spirituality, and which kid took a puke this morning and the horribly high price of butter these days. This is the nuts and bolts of greatness. This is how it works.<br /><br />And it IS romantic, at least sometimes. Like when Abigail says she's spent all morning with John, meaning that she's been rereading his letters, and says that if she can't have real pleasures, at least she can have her thoughts. Or how he often addresses her as "my dearest friend."<br /><br />Or, when Abigail finishes a letter with;<br /><br />"Heaven grant that I may continue to receive its blessings. One of its greatest is that I can subscribe myself wholly yours."<br /><br />Exactly.<br /><br />Adams, A., Adams, J., (2004). <span style="font-style: italic;">The letters of John and Abigail Adams. </span>Penguin Books: New York, NY.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-64366278955082114462012-03-11T10:59:00.003-07:002012-04-23T06:12:30.084-07:00Our Ecological Footprint, by Reese and WackernagelThere are advantages to being a writer named Wackernagel, and chief among these must be shear memorability. Some years ago, when I was explaining the concept of ecological footprints to my then-boyfriend (now, husband), he, in frustration, demanded to know where I'd gotten this stuff.<br />
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"Mathis Wackernagel!" I retorted, proudly.<br />
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This sort of thing is very encouraging for writers with strange names. If mine ever comes up in an argument with your mate, it's easier to pronounce than it looks; A lan thus. The "i" doesn't do much, so you can ignore it.<br />
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Anyway, the idea of the ecological footprint starts with the fact that a certain portion of the Earth's surface is dedicated towards your personal upkeep. Imagine that you are a subsistence farmer, and that all the water you use falls as rain on your farm, all your fuel wood comes from your farm, all your waste is composted there, and so forth. In such a scenario, your ecological footprint is the area of your farm. If you start buying hay from your neighbor, then your ecological footprint, or EF, grows to include part of your neighbor's hay field. If you sell produce to raise money with which to buy hay, then part of your vegetable garden is transferred to the EF of whoever buys your produce, and tracing the location of your EF very quickly becomes impossibly complicated. It is still possible to calculate the rough size of your EF, however, if you know how much land is necessary to support all the things you do. For example, If you eat a loaf of wheat bread every week, you can calculate the size of the wheat field necessary to make your bread, because you can find out the average yield per acre of wheat.<br />
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The reason ecological footprints matter is that there is a finite surface area of the Earth. The total surface area of the Earth is the maximum total ecological footprint. Dividing the Earth's total surface area by the total human population yields the "fair Earthshare," or the size that everyone's EF would be if resources were distributed equally. If your EF is bigger than a fair Earthshare, then either someone else is using less, to subsidize you, or you are borrowing against the future by using resources too fast. It has nothing to do with how much you deserve, how good a person you are, or how much you care about the planet, it's just a measure of how much you use in comparison to how much there is. It's just math. Ecological footprint calculation is a way to make ecology personal.<br />
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This book is an introduction to the concept, and also a detailed description of how to calculate your own footprint. You can also get a rough estimate of your footprint through any number of online EF calculators, though the online calculators simplify the calculation by making a lot of assumptions, which may not be relevant in your case. Reading this book will give you the context to understand that calculators better. Ecological footprint is different from carbon footprint, by the way; your ecological footprint includes your carbon footprint in that one of the things you need Earth's surface area to do is to re-sequester the carbon emissions freed by your lifestyle. EF distills your entire ecological impact to a single measure; surface area.<br />
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The book's descriptions are clear, and the pictures are thought-provoking and funny. The authors explore a number of different implications of the EF concept, far more than I have space to summarize here. If the authors have a weakness, it is their tendency to announce periodically that EF calculations are fun! which they aren't, but at least the whole thing is important food for thought.<br />
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And no, ecological footprint calculations are not as simple as the online calculators, or even this book, make it seem. For example, the carrying capacity of an acre quite obviously varies, not only across space but across time. A degraded ecosystem can't support as many people as it once could. A related complication (and one the book does address, at least in part) is that resource use is rarely about absolute amounts. Sustainable resource use is a matter of <span style="font-style: italic;">rate</span>. It's a bit like finance, to use a metaphor Wackernagel and colleagues also use. If you've got $100,000 invested and earning 1% interest per year, then you can spend $1000 every year forever. If you spend $2000 a year, you will eventually run out of money. With environmental decisions, the big question is always are you spending the interest or are you spending the principle? Since not all acres on the planet have the same sized endowments, and the size of the endowments changes as the principle is spent, calculating a sustainable rate<span style="font-style: italic;"> </span>of use that is valid all over the planet and then expressing tha<span style="font-style: italic;"></span>t <span style="font-style: italic;">rate </span>as an <span style="font-style: italic;">area</span> is at best an estimation tool.<br />
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There are other complications. The ecological footprint is not a tool one can use without a great deal of thought--but that's not really the point.<br />
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The point, first and foremost, is that ecological limits may be complex and difficult to understand, but they are not arbitrary or subject to debate. It's like driving a car (and this is my own analogy). If you hit a patch of ice on the highway, what happens next to your car has nothing to do with how much you deserve to have a good day or how important it is for you to get where you're going. What happens to your car is a matter of physics, and physics dosn't care what you think. Environmental issues are equally non-negotiable. There is only so much of the planet to use, and that's all we get.<br />
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Secondarily, the concept of the EF gives environmentalism a clearly defined goal, at least in theory. Much of the talk of "green" living these days is entirely relative; you hear about saving so many trees or keeping so many tons of greenhouse gas out of the atmosphere, but there is really no way to put any of this in context. On a bad day, it's possible to conclude that no one can ever be green enough, so why bother? On an entirely different kind of bad day, it's possible to conclude that since you recycle and do other "green things" periodically, you're already doing enough. EFs are the antidote to this kind of relativistic thinking. If your EF is equal to your fare Earthshare or smaller, you're done! You're sustainable! You've arrived! In practice, you might not be able to work through the various complications well enough to define your EF that precisely, but at least that finish line exists, and you can approximate it.<br />
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And in the process of finding your way to living within your fare Earthshare, you'll probably make it easier for the people around you to find their way there, too.<br />
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Reese, W.E., Wackernagel, M., Testemale, P. (1998). <span style="font-style: italic;">Our ecological footprint, by Reese and Wackernagel</span>. New Society Publishers.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-6961744191542253142012-02-26T16:37:00.003-08:002012-02-27T11:14:30.643-08:00Prodigal Summer, by Barbara KingsolverI don't usually recommend novels, though this isn't the first one I've chosen. It's not that I don't like fiction, it's that the thing I like about fiction--the chance to explore worlds and people--is actually more rewarding when the worlds and people are real. It's like how it might be nice to play "house," but if you're actually married that's better because you never have to stop. I like novels, but I can usually find non-fiction books that are more novel than novels are.<br /><br />Occasionally, though, I find a novel that's a better essay than most essays are, and then I really get excited. Fictional essays have the freedom to braid together several different strands of an argument, without ever directly stating their point. In the hands of a master, the result is not vagueness but richness and subtlety. Barbara Kingsolver is such a master, and this novel is such a book.<br /><br /><span style="font-style: italic;">Prodigal summer </span>uses an alternating chapter format, where three shorter stories all set in the same community take turns presenting themselves. Initially, all three seem quite separate, but they become progressively less so. One story is that of an entomologist who has recently married a Virginia tobacco grower, and has still more recently been widowed. Another story is about a forest ranger who loves coyotes, yet becomes involved with a man who hunts them. The third story is that of an old and widowed man who is trying to breed blight-resistant chestnuts while feuding with his neighbor, an organic apple grower. Each of these threads has at its heart a debate about ecology, whether that debate is an actual argument between two people, as in the two orchardists' arguments over pesticide use, or something more subtle, as when the widowed entomologist must figure out how to make a living from her land. None of the debates are ever <span style="font-style: italic;">just </span>about ecology, and though some of the characters are sometimes quite clearly wrong, none of them are badguys.<br /><br />There is actually quite a lot of ecology lecture embedded in the story, usually quite gracefully--one character will explain something to another within the flow of the tale. At least as important is the fact that no one is trying to cause anyone a problem; these are not debates between good and bad people, these are stories about people in different situations with different priorities trying to find ways to get along with each other. When I went to graduate school and heard my professors start talking about stake-holders and community buy-in and the strange, counter-intuitive twists of the science and the art at hand, I knew what they were talking about. This book had told me.<br /><br />I suppose, one could find Kingsolver's style annoying; my sister does. It's a bit over-done in places, perhaps, and maybe not everyone likes their fiction riddled with science and politics, however graceful the riddling. But the style works for me, and this book says some things that need to be said.<br /><br />Here is an example of its food for thought; eventually, the entomologist widow settles on raising goats for slaughter, rather than tobacco. Part of her reasoning is that tobacco requires pesticide use and goats don't. As she tells another character, "this way I only have to kill 50 animals, not 50,000."<br /><br />Huh.<br /><br />And there's a sex scene involving a giant moth.<br /><br />So, read this book, have a good time with the story and the characters, and let your thoughts feed.<br /><br />Kingsolver, B. (2000). <span style="font-style: italic;">Prodigal Summer</span>. HarperCollins: New York, NYUnknownnoreply@blogger.com3tag:blogger.com,1999:blog-2631222153917684455.post-13863625336329949482012-02-15T17:17:00.000-08:002012-02-16T10:45:16.628-08:00The Omnivore's Dilemma: A Natural History of Four Meals, by Michael PollanYou know, I usually think I'm a pretty good writer, but sometimes someone else comes up with a phrase that just blows me out of the water. For example, another reviewer, one Simon Schama, praises Michael Pollan for his description of the weirdly comforting allure of the scent of McDonald's fries<em></em>; "it is, he thinks a kind of ersatz 'home': some imagined smell of childish security in that oily-crunchy, burgery squishy provision –as if fast food momma was one gigantic American tit on which the infantilised masses of America placidly suck."<br /><br />I know starting a review with a quote from someone else's review is a bit weird, but really I could not ignore that sentence. Mr. Schama's whole article is posted on Pollan's own website (http://michaelpollan.com).<br /><br />ANYWAY, I'm recommending <span style="font-style: italic;">Omnivore's dilemma </span>as another book under the heading of Books That Make Important Things Make More Sense. In this case the "thing" in question is how America eats, and the economic, political, and ecological issues visible through that lens.<br /><br />The basic structure of the book divides American food culture into three distinct types of food-chain. Each section follows one chain, and then follows Pollan as he makes a meal from food derived from that chain. This is participatory journalism, an example of a writer doing something quirky while we sit on his shoulder and learn from his experiences. Not all writers can pull this sort of thing off; in a clumsy hand, first-person journalism comes off as self-centered and melodramatic. The very fact that the writer has somehow convinced a publisher to pay for him to cook dinner for his friends interferes with the audience's ability to relate.<br /><br />But Michael Pollan pulls it off. He always keeps the focus on the journalism part of participatory journalism. He keeps himself comfortably out of the way of his own story, acting simply as the reader's own avatar within the text. Not that his own personality doesn't shine through, but it shines as a texture of consciousness, not an object of focus. Pollan uses his experiences and reactions to help make his story specific, a valuable function given that many of us already know the vague outlines of these stories.<br /><br />We know that fast food is bad for us. We know that feedlots are horrible places for animals to live. We don't necessarily know how a particular field of corn becomes a particular hamburger (neither does Pollan, but he did get pretty close to that level of specificity), nor do we know the history and ramifications of using corn this way.<br /><br />Probably the section on what Pollan calls the industrial food chain, the one that begins with corn and often ends with meat, is the important for most people. This is the food chain from which most of us derive the bulk of our food, and it is also the most difficult chain to understand. Later sections deal with grass-fed beef and feral hogs, but if you go out into the woods to shoot a hog, you more or less know how that food-chain works. The story behind the meat in a fast-food joint or a grocery store is much less obvious. Obvious or not, this is a story that unfolds with the blessing of our money, so it is something we all need to be aware of.<br /><br />Pollan is not exactly anti-meat, and though he does appear to be anti-factory farm, he is not bombastic or prescriptive about it. He is a journalist, and as such his interest is on understanding what is going on, looking straight at it, and reporting what he sees. That he also reports what he thinks and feels is more a form of interpretation than editorializing. If you finish the book unwilling to participate in the industrial food chain anymore, that may be simply a good call on your part based on available facts--but feel free to look elsewhere for corroborating or disconfirming evidence. I'm sure Pollan wouldn't mind. Treat this book as a source of good leads for further research.<br /><br />Be forewarned that you are as likely to put the book down resolving to eat <span style="font-style: italic;">more </span>meat, rather than less, if you are currently partially or completely vegetarian. All three food chains in the book are at least three links long, meaning that they all end with a human eating an animal. The book functions as an exploration of carnivory, from moral as well as ecological and economic angles. Pollan returns from his journalistic travels with a view that is far from simple.<br /><br />Part of his journey actually involves temporarily becoming vegetarian, out of a sense that he couldn't adequately cover meat as a journalist if he ate the stuff. Pollan's temporary vegetarianism may be the only weak point of the book; it isn't clear whether he was actually vegetarian for a significant length of time, or whether he ever seriously considered staying that way, so his statements on behalf of "us vegetarians" are a bit suspect. More interesting is his reporting of various forms of meat production, particularly the second half of the second section.<br /><br />The second section covers what Pollan calls the pastoral food chain, which begins with grass, and here is <span style="font-style: italic;">is </span>possible to follow the meal from sun to plant to animal to plate, because all the steps happen on the same farm. I won't summarize the entire section (or the rest of the book), but in discussing grass-fed beef, Pollan makes the point that vegetables are not necessarily more sustainable than meat. Yes, I know that eating higher on the food chain automatically means you're consuming more energy. This is simple physics. If the planet were a homogenous sphere of interchangeable resources, and if the idea were simply to maximize human carrying capacity, then yes, we should all be vegetarians. But in the real world, well-managed pasture is sometimes better for the land then a vegetable plot is. How a human being can eat lightly on the land depends on what land the human is trying to eat on. And in a landscape that includes grasslands already, raising livestock simply means adding a species to the existing mix of grazers. Raising crops on the same land means killing or displacing all the animals and plants who could have shared that land with cattle. As to animal rights, the animals Pollan meets appear to be happy while they live. The wild animals he does not meet, but who likely share the same pasture, are not irrelevant to the moral calculation.<br /><br />I have visited a farm similar to the one Pollan visited, incidentally, on a field trip in graduate school. It looked much as described, and seeing something in person that one has previously read about is always a tickle. That the tour we received covered the same material, the same procedures, ideas, and philosophy, as what Michael Pollan heard on his tour of a different farm may be regarded as a reassuring second opinion. That our professor had spent a decade studying grazing ecology and appeared to approve of this guy may be regarded as further confirmation yet.<br /><br />But again, the point of the book is not to convince anyone but to provide food for thought (about food). If you haven't thought much about food before, it's an appatizer, and should be enough to get you started. If you're an old hand, this book may still give you a new idea or two.<br /><br />Which is why you need to read this book.<br /><br /><br />Pollan, M. (2006). <span style="font-style: italic;">The Omnivore's Dilemma: A Natural History of Four Meals.</span> Penguin Press: New York, NY.Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-2631222153917684455.post-55626274957672318522012-02-05T19:39:00.000-08:002012-02-05T21:02:05.092-08:00Food Matters: A Guide to Conscious Eating: by Mark BitmanThis is the first book recommendation to come out of my "contest." The reason it is first is pretty simple; it's the one that I could find at the local library. At least a dozen or so recommendations came out of the contest, and I intend to read at least two or three--I may eventually do all of them--but only one turned up in the local library system. Not the local library, the local library <span style="font-style: italic;">system. </span>For reasons unknown to me, they can't borrow books from libraries outside of their system, which means I suppose I shall have to either add to my own library, or hole up in some university library and look studious. I <span style="font-style: italic;">really </span>miss the college library where I was an undergrad. They could get any book in the world for you and mail it to you, no matter where you were. Sigh.<br /><br />Anyway.<br /><br />But this is a good book. It's not a great book--there's very little in <span style="font-style: italic;">Food matters </span>that some other author doesn't cover as well or better, but the thing is Bitman manages to cover <span style="font-style: italic;">all </span>of the topic. And he does it in a friendly, accessible way.<br /><br />The topic is the environmental and nutritional problems with the standard American diet, plus suggestions on how to eat better. There is history, ecology, politics, nutrition, climate science, the author's personal history, recipes...and the recipes are my kind of recipes. Here's one;<br /><br />salt<br />about two pounds of any vegetable, prepped appropriately.<br />lemon juice or olive oil, as you like<br />pepper<br />herbs or seasonings (optional)<br /><br />boil or steam the vegetables, then add what you want so it tastes good.<br /><br />I've edited that rather severely--he did have a bit more detail--but that's the gist of it. And that's how I cook, and how I learn about cooking. This isn't recipe as algorithm, it's walking a relative newbie through thinking about how to work with food.<br /><br />Food <span style="font-style: italic;">does </span>matter. Food matters because it is the stuff we build and fuel our bodies with, for better or worse. Food matters because food production is a major industry, and our collective choices about it dictate much of the course of our economy. Food matters because food production is a major part of human environmental impact, and our choices about it dictate much of the course of our biosphere. Food matters because, as a necessity for life, who controls food production and how is an axis of history. Food is what my thesis adviser would call a lever--something one does well to pay attention to, because it makes other things move.<br /><br />All of that is here, at least in an introductory way. If it is not already obvious to you that food matters, you need to read this book.<br /><br />And if it is already obvious to you, the book is still worth a gander, because where Bitman makes mistakes, the mistakes are food for thought.<br /><br />For example, in the Introduction he says that "Global warming, of course, was accidental. Even 30 years ago we couldn't know that pollution was more than stinky air." That just isn't true. Assuming that those words were written somewhat before the copyright date of 2009, that means he's talking roughly about the year of my birth. OK. Except I learned about man-made global warming, including the possibility of sea-level rise, when I was no more than seven or eight years old. My Dad told me about it. I'm a science geek and a daughter of a science geek and a scientist (my mother trained as a geologist and has spent her career cleaning up contaminated sites) so I learned about a lot of things kind of young, but there is no way an eight-year-old, no matter how geeky, was one of the first people in the country to hear about global warming.<br /><br />The Mona Loa Observatory has been recording the changing atmospheric concentration of carbon dioxide since 1956, a study initiated because some scientists were concerned that human-caused climate change might be happening (http://celebrating200years.noaa.gov/datasets/mauna/welcome.html). In 1977, that study had already collected twenty-one years of data confirming the scientists' suspicions. That carbon dioxide <span style="font-style: italic;">is </span>a greenhouse gas was discovered in the mid 1800's, by the way, according to John Houghton (in a book I recommended to you last November). It's simply a well-known property of the gas.<br /><br />I don't know how old Mark Bitman is, but I'm pretty sure he's closer to my parents' age than to mine, and that he remembers 1977 clearly. Why he asserts that we "couldn't" know something in that year that pretty much every expert in the subject actually did know is puzzling.<br /><br />My personal challenge to anyone is to see how many times Bitman makes these interesting mistakes; they're common mistakes, in one way or another, and if you can catch them all you're probably doing pretty well with your personal science literacy.<br /><br />One of the things Bitman is not mistaken about is his assertion that it is impossible to feed all living human beings as much meat per capita as the average American eats, and it is impossible to produce as much meat as is currently eaten without recourse to factory farming. You can come to the issue from ethics, economics, environmentalism, environmental justice, or nutrition, but then there is physics; certain things are not so much wrong--or not merely wrong--as physically impossible, not an option. One of the things that is not an option is any substantial change in global food production without an associated change in consumption. Sorry.<br /><br />Bitman never says "you must," or "you are a bad person if you don't." He says these are your options, here are some suggestions, now think about this. And, by the way, here's how I eat, here's how I prepare food, and it tastes pretty good. I'm healthier, too.<br /><br />So think about it. Read this book.<br /><br /><br /><br />Bitman, M. (2009). <span style="font-style: italic;">Food matters: A guide to conscious eating. </span>Simon & Schuster: New York, NYUnknownnoreply@blogger.com2tag:blogger.com,1999:blog-2631222153917684455.post-91976927586251457262012-01-25T09:12:00.000-08:002012-01-25T19:35:00.734-08:00Two Books by Temple Grandin<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> 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0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal"><span lang="EN-GB">This recommendation concerns two books; <i>Thinking in Pictures</i>, and <i>Animals in Translation</i>, both by Dr. Temple Grandin, an expert in both animal behavior and human autism. The reason I'm recommending two of her books together is that I read both at the same time, and I have a hard time remembering which book was which. And it's my blog.<br /><br />Dr. Grandin is more or less famous for being autistic, since she is one of the few experts on autism who is actually on the spectrum herself. Her training, and much of her career, has involved figuring out how to make the American meat industry less frightening to farm animals. Her insight is that other species find different things frightening than we do, and that correcting details like harsh shadows or flapping rags can take the terror out for cattle. Perhaps learning to think like a steer prepared her to bridge the gap between human minds. Perhaps the necessity of coping with the vast majority of humans who think differently than she does prepared her to understand that different species have different perspectives. I don't know--either way, she has become a kind of bridge.<br /><br />In her books she explains autism in clear, detailed terms, synthesizing disparate disciplinary streams in a way experts with formal training in neurology or psychology generally don’t. Equally important, she describes the autism spectrum as a place with its own perspective. She describes autistics as people.</span></p> <p class="MsoNormal"><span lang="EN-GB">Dr. Grandin does not strike me as political per se. She is not publicly campaigning for a fundamental re-conceptualization of the autism spectrum; she does not come off as an angry member of a disenfranchised minority. Although she describes her own mental processes as carrying real gifts, she does not seem to object to autism’s status as a disorder. Based on her description of autistic minds as focused on detail, for better or worse, it could be that whether autism is a disorder or not is irrelevant to her.<span style="mso-spacerun:yes"> </span>What is relevant is that there are useful things she and others like her can do, and difficulties she and others like her have, so is there some practical method of dealing with the difficulties so people’s lives can improve? But she <i style="mso-bidi-font-style:normal">is </i>autistic, and whether she regards it as part of her work or not, she presents autism as a condition with its own integrity, its own human wholeness.</span></p> <p class="MsoNormal"><span lang="EN-GB">In another of my blogs, I recently suggested that the “Nowhere Man” in the movie “Yellow Submarine” is autistic, and that one reason to think so is the way the other characters talk about him. Most poignantly, they say “he doesn’t have a point of view, knows not where he’s going to.” Start paying attention to discussions about autism by the neurotypical and see how often this message comes across. It’s baloney, of course, and it’s a mistake Dr. Grandin does not make.</span></p> <p class="MsoNormal"><span lang="EN-GB">Dr. Temple Grandin is not, of course, some kind of random Autistic On The Street. It is the decidedly mixed blessing of the demographically surprising to be at least as notable for what they are as for what they do. Annie Oakley was not just famous for being a fantastically good shot; she was a fantastically good <i style="mso-bidi-font-style:normal">woman </i>shot. Barack Obama gained national attention not just for being a brilliant man, an excellent orator, and a very canny politician (a characterization I believe even most of his detractors would accept), but for being all those things <i style="mso-bidi-font-style:normal">and black. </i><span style="mso-spacerun:yes"> </span>As much as I cheer such demographic surprises, they are symbols of only the beginning of change. If the change were complete, no one would think these things are surprising. But as much as it irritates me that Dr. Grandin’s status as autistic tends to get top billing, I am glad that she is around as an example.</span></p> <p class="MsoNormal"><span lang="EN-GB">Several ideas from these two books are worth noting. </span></p> <p class="MsoNormal"><span lang="EN-GB">First, there is the clear description, in <i style="mso-bidi-font-style:normal">Thinking in pictures,</i> of the subdivisions within the autism spectrum. Although the definitions are in flux, and these descriptions could be, or soon will be out-dated, the detail still gives a window into the complexity of the condition. One surprise for me was that sometimes autism develops with the child, manifesting as speech delays, among other issues, while other children develop normally until around two years of age, when they all but lose language. I wondered, reading this, whether the two development patterns could have very different causes. In either case, autism, by definition, involves early childhood onset. Similar traits developing later are not considered autism.</span></p> <p class="MsoNormal"><span lang="EN-GB">Second, to varying degrees, people on the autism spectrum have trouble processing sensory perception. I had heard that sensory over-sensitivity is an autistic trait, but I had not appreciated what such sensitivity might mean from the inside--even though I have a mild version of such sensitivity myself. In Dr. Grandin’s description, perception-processing problems can reduce the sounds of language to a cacophonous, meaningless buzz. The sound may even be painful. I had always thought that autists with social problems have an altered social drive or an altered understanding of self and other. Adult autists may, indeed be emotionally different; Dr. Grandin reports that her own emotions are intense but simple, and that her friends are people she does things with, not the other way around. But what if you were a young child, just learning about language and people and emotions, and when people spoke all you heard was a painful jumble? When your parents hugged and kissed you it made you feel icky and weird? How is a kid going to figure out how to deal with people under conditions like that?</span></p> <p class="MsoNormal"><span lang="EN-GB">The other thing that grabbed me was the description, in <i style="mso-bidi-font-style:normal">Animals in translation, </i>of an odd similarity between autistic intelligence, and normal animal intelligence. Apparently, many animal species can remember details in a way humans can’t—with the exception of autistic savants. Not all autists have the kind of memory as the fictional Rain Man, but some do. People who sustain injury to the frontal lobes also sometimes develop savant skills. Dr. Grandin says that the large frontal lobes that give humans our conceptual intelligence actively depress our perception and memory of detail. Autists have large frontal lobes, but, to varying degrees, the frontal lobes connect poorly to the rest of the brain, and so do not depress the older, detail-oriented brain structures. The savant skills are released.</span></p> <p class="MsoNormal"><span lang="EN-GB">These details help provide a sense of how autistic people think, the mental processes behind the odd behavior. They bring commonality out from behind difference, and, at the same time, show up the real spread of cognitive diversity in our species. In my experience, failure to notice that we are all alike does not cause half so much trouble as failure to notice that we are also all different. When someone does something unexpected or inconvenient, most people think “ah, this person is thinking and feeling what I would think and feel if I acted like that.” Low-functioning autistic people especially don’t do a lot of very basic things that everybody else does as a matter of course; obviously, they must be retarded, insane, or both, right? That whole, intelligent people might behave so oddly implies a fundamentally different kind of thought, something I’ve noticed most people do not easily accept.</span></p> <p class="MsoNormal"><span lang="EN-GB">I have personal experience with this. One example is the job I lost because my supervisor assumed I didn’t care about my work; I didn’t follow dress code, something someone who cared would do. Actually, I cared very much. I just really don’t know how to think about clothes—and not knowing how to think about them, I didn’t realize other people might have thoughts about clothes I didn’t understand. My supervisor and I, making the same mistake in opposite directions, passed each other like ships in the night.</span></p> <p class="MsoNormal"><span lang="EN-GB">Even Dr. Grandin may have made the same error; in <i style="mso-bidi-font-style:normal">Thinking in pictures </i>she repeatedly attributes her keen intelligence to her visual thinking. She knows she is a much more visual thinker than most people, and that her visual thoughts allow her to do things most people cannot do. She is unusually good at design, for example. She can simulate the workings of machines or buildings in her mind’s eye and so spot failures before they actually happen. She also has an amazing memory for visual detail, so she can mentally assemble new designs from parts. Fair enough. But I’m willing to bet that there are people who can run simulations as well as she can, and who can remember design elements just as phenomenally, who do not think in pictures. We are all of us so often stuck within our own skulls.<br /></span></p><p class="MsoNormal"><span lang="EN-GB">What we have in common is the way we persistently misjudge each other. We misjudge across differences of neurology, differences or culture, even difference of opinion. By not recognizing the depth of our real diversity, we so easily miss the brilliance, the usefulness, and the humanity of others.<br /></span></p> <p class="MsoNormal"><span lang="EN-GB">Read these books. Recognize another mind.</span></p><br />Grandin, T. (1995). <span style="font-style: italic;">Thinking in pictures: And other reports from my life with autism.</span> Vintage Books: New York, NY.<br /><br />Grandin, T. , Johnson, C. (2005). Animals in translation: Using the mysteries of autism to decode animal behavior. by Temple Grandin. Scribner: New York, NY.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-51856750740699619322012-01-12T19:49:00.000-08:002012-01-13T13:53:12.132-08:00Next of Kin: My Conversations With Chimpanzees, by Roger Fouts, with Stephen Tukel Mills<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> 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mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal"><span style="font-style: italic;">Next of kin </span>is one of the books I quote frequently, and it's also one of the books everyone should read. But the reason why I quote it is not the reason why everyone should read it, and the reason why everyone should read it is not necessarily the reason why <span style="font-style: italic;">you</span> should.</p><p class="MsoNormal">Confused? Sorry; let me back up.</p><p class="MsoNormal"><span style="font-style: italic;">Next of kin </span>is a memoir by the long-time leader of one of the ape language projects. In case you have not heard of these projects, there have been several attempts to teach either language or aspects of language to great apes. Vocal language projects have failed, because non-human apes do not have conscious control of their vocal tracts; all their sounds are emotional, like our laughs, curses, and sighs. But members of all four great ape species have been able to learn sign languages or ideogram systems. Whether these apes count as using language as such has been debated, but they do use signs and symbols to communicate. Signing apes are not performing tricks.</p><p class="MsoNormal">The language studies generally begin with very young apes, in part because adult apes are very dangerous animals and are consequently rarely used for much. You can see this in entertainment; the chimpanzees you see on TV and on greeting cards almost always have pink skin, a mark of childhood in their kind. Many of the studies either closed down as their subjects grew up, or ceased attracting media attention as national interest shifted. In the decades since, the apes have grown up, and some have grown old. This is the story of the oldest of the signing ape studies, and what happened to its subjects, and why. That there is such a story to tell is due almost entirely to the efforts of Dr. Roger Fouts, who fought for the apes--and the efforts of Washoe, the chimpanzee, who insisted the man join the project to begin with.</p><p class="MsoNormal"> It's a good story, and its authors have done a good job balancing the personal, professional, and scientific threads. Dr. Roger Fouts has not had a conventional life, nor did Washoe, the real protagonist of the story, have a conventional chimpanzee life. In the course of telling their story, this book must at least introduce subjects as diverse as chimpanzee behavior, the grammar of American Sign Language, the process of getting a PhD in psychology, and a the making of a Tarzan movie--and all these topics are introduced well.</p><p class="MsoNormal">I am personally interested in chimpanzee behavior, but I knew a fair bit about them before reading the book. For me, the brief introduction to neurology was what touched off a new train of thought. When I talk about the book, it is usually because I'm talking about the difference between linear and non-linear thought, which I first read about here. Apparently, different kinds of brain matter are involved in each kind of process, and we differ in the proportion of each type we have. Understanding that not everybody's brain works the same way is an important part of appreciating how others think--and it's an important part of realizing that other people's brains work just as well.<br /></p><p class="MsoNormal">But I don't think a memoir about chimpanzee language research is the best place to send people interested in neurology.</p><p class="MsoNormal">The reason I'd send most people to this book is for a clear example of how chimpanzees don't get the respect they deserve. There is a whole world of working for the rights of chimpanzees in research and entertainment. That world is largely invisible from the outside; apart from the occasional mention in a news story, most of us encounter chimpanzees only through entertainment as figures of fun. This book presents chimpanzees as individuals and opens up a whole world. This is a conversation that needs to happen.</p><p class="MsoNormal">But maybe you already know about that world. I won't assume that you are unaware, so I won't say you should read this book in order to be made aware.</p><p class="MsoNormal">Maybe for you this will simply be an excellent story, a story about a chimpanzee of amazing strength of character who happened to have been taught sign language, and a man who decided to take her welfare seriously.<br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">Fouts, R., Mills, S. T. (1997). <i style="mso-bidi-font-style: normal">Next of kin: My conversations with chimpanzees. </i>Avon Books: New York, NY.</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-45263203034630404002012-01-05T11:37:00.000-08:002012-01-05T12:10:59.902-08:00Horse Boy: A Father’s Quest to Heal His Son, by Rupert Isaacson<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> 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mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal"><span style=" line-height: 115%; Times New Roman","serif";font-family:";font-size:12pt;" ><span style="font-style: italic;">Note; the "contest" where you can suggest books for me to read and review, is still ongoing; I am still collecting suggestions. In the meantime, here is another suggestion for you.</span><br /></span></p><p class="MsoNormal"><span style="line-height:115%;Times New Roman","serif"font-family:";font-size:12.0pt;" >If all you want is a fun read, this book could do ya, though you’d have to pretend it’s a novel, which it isn’t. The premise sounds so bizarrely audacious. An autistic, American boy suddenly becomes calmer and more communicative in the presence of horses, so his father decides to take him riding for several weeks. In Mongolia and Siberia. In order to go meet and be healed by shamans. And it <i style="mso-bidi-font-style:normal">works</i>. The boy quickly makes friends, becomes toilet-trained, and stops throwing tantrums.</span></p> <p class="MsoNormal"><span style="line-height:115%;Times New Roman","serif"font-family:";font-size:12.0pt;" >Remembering that this is not a novel, the story is by turns heart-breaking and heart-warming, and it’s important food for thought. I don’t think knowing that the boy makes amazing progress will spoil the story for you; suspense is not really the point.</span></p> <p class="MsoNormal"><span style="line-height:115%;Times New Roman","serif"font-family:";font-size:12.0pt;" >Of course, a reader may doubt whether shamanic magic can heal anything, much less autism. While I am inclined to believe in magic, I am well aware that entertaining alternative possibilities involves the risk of wishful thinking. But exactly what, if anything, shamanic magic did for the boy, Rowan, is beside my point--and possibly beside Isaacson's point.</span><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" > He treats his son’s experience simply as an example of the possible, and never claims to be able to really explain what happened. The reason I bring all of this up—the reason you should read this book—is <i style="mso-bidi-font-style:normal">not </i>that magic or horses cure autism. The reason I bring this up is because Isaacson very clearly explains that autism doesn’t need to be cured.</span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >Rowan was not a high-functioning little boy. According to the book, one group of experts proclaimed him “cute,” but beyond help. His parents did not give up, but fairly early on they realized that a cure was not what they were looking for. Rowan would always be autistic; autism is part of being Rowan. The point was not to cure him but to heal him. </span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >Did you catch that? In mainstream parlance, Rowan’s autism grew milder for whatever reason, allowing him to participate more fully in life; a partial cure. In his parents’ usage, on the other hand, Rowan wasn’t suffering from autism, because autism is part of him. He was suffering from some other thing that went along with autism, some sickness or wound that could be healed, leaving Rowan a healthy, autistic boy.</span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >This distinction gives words to an intuition I had about my own neurology many years ago. I am not autistic, nor even an Aspie (person with Asperger’s syndrome), though I have a number of Aspie-like traits. But I am <i style="mso-bidi-font-style: normal">something </i>on, or perhaps akin to, the autism spectrum. I have some weird weaknesses (example; I don’t understand division) and some equally weird strengths (readers may recall I am capable of doing my readings for school a year or two ahead of time). When I was a teenager, the experts tried to figure out how to cure me, a process I objected to on the grounds that my weaknesses have the same cause as my strengths, and you couldn’t excise the one without destroying the other—destroying <i style="mso-bidi-font-style:normal">me. </i>Yet I did not object to learning to write legibly, speak clearly, or get my homework done on time, all of which I did a few years later. I made some kind of distinction between a style of mind and a disability. Isaacson found the same distinction independently when he said he wanted his beautifully, and often painfully, odd son healed.</span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >I don’t discount the pain and fear of families caring for autistic people. I don’t discount the vulnerability and sheer pain-in-the-assness of being an autistic person. What I reject is the proposition that how a person thinks and feels, learns, perceives, and socializes are all part of who someone is <i style="mso-bidi-font-style: normal">unless </i>he or she is autistic, dyslexic, or otherwise inconvenient. I reject the way we say a person <span style="font-style: italic;">is </span>a genius, but <span style="font-style: italic;">has </span>autism, as though the thought patterns he or she has grown up with are as incidental as a head-cold. I am entirely in favor of research into ways more people can grow into their full potential as human beings. I'd like to be less limited myself, and my limitations are relatively minimal. What I am not in favor of is equating “healthy” with “normal.”</span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >What Isaacson does in telling his tale is present a tentative picture of how one might think of autistics as real people. Isaacson found, on his family’s journey, that some of the shamans he consulted had showed signs of autism as children, though they showed no sign of disability as adults. Could the role of the shaman be what autistic children in shamanic cultures grow up to do? <span style="mso-spacerun:yes"> </span>Is it possible that what we know as autism is actually what happens to potential shamans who are never trained? If true, that need not doom children in non-shamanic cultures; we have our own traditions of people who bridge gaps or go to strange places in their minds. A lot of scientists are Aspies, as are no few artists and mystics. It is well-known that neurotypical children deprived of proper parenting and education can develop severe problems. Maybe autistics just need a different kind of training and don’t get it, since no one is our culture knows what the right training is yet. Maybe the problem is not that nobody knows how to make us turn out normal, but that anyone even tries to make us turn out that way?</span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >I admit I depart from the book slightly in my own speculation, but the possibility that the odd and inconvenient are not broken is such a radical concept that even I, who know from experience that the mainstream ideas of normalcy are hurtful and counter-productive, needed this book to be able to grasp what might be an alternative.</span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >Late in the book, Isaacson quotes an acquaintance as suggesting that autism may simply be a personality type. It’s a radical suggestion that plays much better now that Rowan has been toilet trained, learned how to talk properly, and learned how to not have insane emotional melt-downs whenever something triggers him. One wonders how Isaacson's acceptance of cognitive diversity might developed if Rowan were now growing up to become a man-sized creature of soiled diapers and violent tantrums. Many autistics do precisely that, and Rowan’s story is no guarantee that anything can fundamentally change the number of severely disabled people who need extraordinary, life-long care. </span></p> <p class="MsoNormal"><span style="line-height:115%;font-family: "Times New Roman","serif";mso-fareast-Times New Roman";font-family:";font-size:12.0pt;color:black;" >But can we entertain this suggestion anyway? Can we seriously accept the proposition that even if some neurological structure malfunctions for whatever reason, the person who develops as a result is not a mistake?</span><span style="line-height:115%;Times New Roman","serif"font-family:";font-size:12.0pt;" ></span></p> <p class="MsoNormal"><span style="line-height:115%;Times New Roman","serif"font-family:";font-size:12.0pt;" >Isaacson, R. (2009). <i style="mso-bidi-font-style: normal">Horse boy: A father’s quest to heal his son</i>. Little, Brown, and Company: New York, NY.</span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-53288971902744704752011-12-28T16:41:00.000-08:002011-12-28T16:44:10.260-08:00And Now For Something Different!<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> 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mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal"><span style="font-size: 12pt; line-height: 115%;">Hi there!<br /></span></p><p class="MsoNormal"><span style="font-size:12.0pt;line-height:115%">As all eight of you know, this blog is where I try to talk you into reading the books I like.<span style="mso-spacerun:yes"> </span>Now, in the new year, let’s do it the other way around at least once. You tell me what to read—and if I agree, I’ll tell everybody else. It’s a sort of a contest, except I’m not sure how many people will win—maybe everybody will.</span></p> <p class="MsoNormal"><span style="font-size:12.0pt;line-height:115%">Here’s the way it works. If there is a book you want more people to pay attention to, shoot me an email (or comment on this post). Include the full name of the book and the name of the author. If the book has more than one edition, be sure to indicate which edition you mean. Tell me why you think everyone should read the book—just a line or two is fine. If it looks interesting, I’ll read it. If I agree the book is awesome, I’ll post a recommendation on it. If I at least read the book, I’ll give it a tweet or two.</span></p> <p class="MsoNormal"><span style="font-size:12.0pt;line-height:115%">You’re allowed to suggest books you wrote, or books your friends wrote, though you can also just pitch something you read and liked. Any genre is ok, but I’ve got to warn you I like some genres better than others. The book does not have to be in print, but it does have to be publicly available. Old, out-of-print books are fine, as are self-published works you’re printing to order, but there must be some way for readers to find the book. If it’s sitting on your computer, it doesn’t count. The book also has to be either written, or translated into, English. If you pitch a translated book, be sure to let me know which translation you want me to read.</span></p> <p class="MsoNormal"><span style="font-size:12.0pt;line-height:115%">If we have an interesting conversation about the book, or if you have an interesting story to tell about it, I’ll post about that, too.</span></p> <p class="MsoNormal"><span style="font-size:12.0pt;line-height:115%">Basically, this is free advertising, either for your book or for the book you want to champion. I don’t have a lot of readers yet, but I do read a wide variety of books, and I talk to a wide variety of people. If everyone who talks me into reading a book tells their friends to check out my blog, then not only do more people here about my writing, but people find out about books they might not otherwise have heard of. So it’s a win all around.</span></p> <p class="MsoNormal"><span style="font-size:12.0pt;line-height:115%">We’ll see how it goes. I expect the whole contest to be kind of small. Next year I’ll do it again (if the world doesn’t end first, of course), and we’ll see how the whole thing grows.</span></p>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-2631222153917684455.post-6169842801331244242011-12-21T14:07:00.000-08:002011-12-21T14:20:14.018-08:00A Child’s Christmas in Wales, by Dylan Thomas<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> 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0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">This is a book that should not be seen so much as heard, and I have a story about hearing it. It is to tell the story that I am recommending the book, though you should read the book, too, when you get a chance. It is fantastic. Here is the first sentence;</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">“One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six.”</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">I mean, really? Just read that aloud, or, better yet, find a man to read it to you. It has to be a man, some poetry is made for men’s voices, the slow, dark resonance only they can have. Also, you have to get a man who knows how to read aloud well. Not just any man will do. He’s got to get the rhythm, the cadence, right. Better yet if the man you get to read this to you is older, middle-aged at least, and somewhat grumpy. Yes, go find yourself a grumpy old man with a honeyed voice to read this to you, and then fall asleep listening to it when you are six, staring at Christmas lights.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">But that is not my story.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">My story begins when I was fifteen years old, and sent away to boarding school. I was an odd kid, and that was an odd school, and I was particularly odd when I was in it, though perhaps somewhat less so afterward. I used to describe it as “a military school run by Willie Wonka.” Not that I’d ever had any experience of a military school. What I meant was that it was very strict, and in some ways demanding, and yet all the strictness, all the rules, were filtered through the judgment and personality of a headmaster who didn’t quite agree to live in the same world most of the rest of us do. He was genuine, caring, and yet not quite safe; think of Willie Wonka by Gene Wilder, not Johnny Depp. Think of the scene in the Half Room, particularly. That was A. Michael DeSisto.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">It was not quite fun to be there. A lot of kids ran away, or tried to. But—man, did they know how to do Christmas. I had no particular interest in growing up in those days, and I was leaving childhood unwillingly, with no clear idea of what might happen next. I liked the particular feeling of childhood traditions to a child, for instance, though time and adolescence were blowing them away from me like smoke. My first year at school, I could not go home for Christmas, and I feared not being able to, for surely not being at home would end Christmas as I knew it, make the last shreds of childhood drift away? I needn’t have feared it, for on Christmas morning itself there was snow, and fresh deer prints outside of my dorm. And there was <i style="mso-bidi-font-style:normal">A Child’s Christmas in Wales.</i></span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">Before the winter vacation started, and the kids who could go home did, there was a formal dinner for students and faculty. You had to dress up, and the tables were dressed up with red table cloths and a multi-course meal, and there was a series of performances on a little stage built in the front of the dining hall for the occasion, and caroling afterward. One of the performances was the Dylan Thomas poem, read by Michael, assisted by two boys ready to voice boys, a woman to voice women like Miss Prothero, who asks the firemen if they would like anything to read, and a bell. I think there was a bell, to voice any bells in the story. I remember that Michael did this every year, but also I remember only one iteration of the performance. A trick of memory, perhaps akin to not knowing if the snow lasted for six days or twelve. </span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">Michael was in his mid-fifties at the time, the same age my husband is now, and hence not an advanced age, but some people are born old. If you say it with love, that’s actually a compliment, albeit not one you would actually tell most recipients. Michael was also not exactly grumpy, but he read grumpy very well. No one else could reply to the small boy who says "It snowed last year, too. I made a snowman and my brother knocked it down and I knocked my brother down and then we had tea," with a “but that was not the same snow,” that could wither flowers. Clearly, no modern snow could measure up.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">Dylan Thomas’s poem begs inevitable comparison to Gene Sheppard’s <i style="mso-bidi-font-style:normal">A Christmas Story, </i>except the former is what the latter might aspire to be when it grows up. <i style="mso-bidi-font-style:normal">A Christmas Story </i>is great for quotes, a touchstone of popular culture—when my husband reads out “fra-gi-le,” intentionally mispronouncing by pronouncing the “e,” I am always ready to observe “it must be Italian!” But there is little magic or poetry there, and little to attract anyone who does not share the same nostalgic memories. A Red Ryder BB Gun is not quite universal. The Prothero’s cats are.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">After the tale was read, and the students whose turn it was to be waiters had cleaned up and finally gotten to bed (somehow I always seemed to be a waiter on Christmas. It was the same way on my birthday. Entirely unfair) there were several days of fairly ordinary campus life, minus any school work and the students who had gone home, before Christmas itself. I remember that year, my first Christmas on campus, away from home, how we were allowed to wake up late and go out, in our pajamas, past the deer prints in the snow, and up to the Great Hall, the room in the Mansion that looked, really, like a small version of something<span style="mso-spacerun:yes"> </span>from Harry Potter. Campus had once been a well-to-do horse farm, and the old building flanked by elm trees lent the place a kind of romantic grandeur. <span style="mso-spacerun:yes"> </span>On Christmas Day we were allowed to leave the somewhat bare and barren strictness of boarding school, and enter that grandeur in our pajamas.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">Little gift bags for each student had been lined up, all along the walls, and we ran around in groups and found them, searching for our own names on the cards. Then there were presents, real presents, from our dorm-parents, except I hadn’t known we would get any from them, and they were signed <i style="mso-bidi-font-style: normal">Santa, </i>so the surprise made the mystery as good as real. I got a <i style="mso-bidi-font-style:normal">Deep Space Nine</i> calendar. We had breakfast and hot chocolate in our pajamas on the Great Hall floor, by a huge Christmas tree, a real tree, decorated in gold and white ornaments and tiny, white lights. There was nothing else to do all day but play with our toys, until it was time to go back to our dorms and get ready for dinner. When we returned to the Great Hall, all the detritus of Christmas morning was gone, and there were tables with red and green table cloths and another formal dinner.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">We were all teenagers, some of us legal adults, but it felt, wholly and completely, like a child’s Christmas. And it never has again.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">But that was enough.</span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif""> </span></p> <p class="MsoNormal" style="line-height:normal"><span style="font-size:12.0pt; font-family:"Times New Roman","serif"">A Child’s Christmas in Wales; <a href="http://www.bfsmedia.com/MAS/Dylan/Christmas.html">http://www.bfsmedia.com/MAS/Dylan/Christmas.html</a></span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-56625819429263568652011-12-15T07:49:00.000-08:002011-12-15T07:57:03.128-08:00Authentic Happiness: Using the New Positive Psychology to Realize Your Potential for Lasting Fulfillment, by Martin Seligman<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 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mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">You know how they say not to judge a book by its cover? Well, this is the book they were talking about. The chirpy title splashed across the blue skyscape background actually curves into a smiley-face. But, no matter; ignore the cover. Open it up and read. I mean it.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">This book is not gimmicky, and it is not just somebody’s pet explanation for all human behavior. It won’t promise to solve all your problems in just three easy steps. You don’t have to take the author’s word for anything. This isn’t pop psychology, it’s psychology written for the popular audience, and there is a difference. The information here is backed up by large, scientific studies, which the author describes clearly. The advice is given with the injunction that if a technique doesn’t work for you, don’t waste your time with it. <i style="mso-bidi-font-style:normal">Authentic Happiness </i>is rather like an owner’s manual for the mind. For years, whenever my friends and I have fallen to talking about mood and happiness, I have quoted this book to them. Personally, I’ve been happier since I read it.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">As a manual, the book is not perfect. The first third of the book proved the most useful to me, for its descriptions of how happiness works, what really makes people happier and what doesn’t. There are some real surprises. Most kinds of childhood trauma do <i style="mso-bidi-font-style:normal">not </i>make people any more likely to be unhappy as adults, for example. Expressing anger does not actually make the anger go away. Being in a good mood will make you more generous and more solution-oriented; being happy is an important part of being there for others. At the same time, being kind to others has a stronger influence on mood than pleasure does, suggesting that if you want to cheer yourself up, buying your friend an ice-cream cone gives you more bang for your buck than buying yourself one.There are also self-scored tests and various simple exercises aimed at improving happiness. I’ve used those exercises, some of them, anyway, and they work.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">But much of the rest of the book is concerned with identifying one’s “signature strengths,” and while I like the idea (that if you know what you are good at and find a way to do it you will be happier), none of the options Dr. Seligman offered really sounded like me. His attempt to offer a kind of atheist’s spirituality wasn’t helpful, either—of course, I am not an atheist, but not all attempts at atheist spirituality leave me puzzled, and this one did. In my opinion, he could have, and should have, just left that section out.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">The atheist’s spirituality section suggests one further weakness of the book, one that is not Dr. Seligman’s fault as a psychologist or a writer, but is important to keep in mind. As a psychologist, Dr. Seligman’s job is to understand <i style="mso-bidi-font-style: normal">how </i>the mind works. He can therefor state that religious devotion is important, psychologically. People who are devoted to something larger than themselves are happier than those who are not. But what the something larger is or could be is not a matter for psychology; it’s a matter for philosophy or religion. Perhaps a good analogy would be to an auto mechanic. A mechanic can tell you how to maintain your car, but not where to drive. In this sense, the book is not a complete treatment of its subject, because what a person is devoted to is <span style="font-style: italic;">not </span>irrelevant. But as long as you don’t expect Dr. Seligman to be a philosopher, he can be a very useful psychologist.</span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">He has at least one other book out on a related subject; <i style="mso-bidi-font-style:normal">Learned Optimism. </i>It is an older book, and <i style="mso-bidi-font-style:normal">Authentic Happiness</i> re-uses a lot of its material. I expected <i style="mso-bidi-font-style:normal">Learned Optimism</i> to be a more focused treatment of the subject, so I read both books, but actually the best of the earlier book ended up in the later book. Unless you really like reading (and you might; I do), <i style="mso-bidi-font-style: normal">Authentic Happiness </i>is the one of the two to get.</span><br /></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal">Seligman, M. (2002.) <span style="font-style: italic;">Authentic happiness: Using the new positive psychology to </span></p><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman""><i style="mso-bidi-font-style:normal"></i></span> <p class="MsoNormal" style="margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:.75in;margin-bottom:.0001pt;line-height:normal"><i style="mso-bidi-font-style:normal"><span style="font-size:12.0pt;font-family: "Times New Roman","serif";mso-fareast-font-family:"Times New Roman"">realize your potential for lasting fulfillment. </span></i><span style="font-size:12.0pt;font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman"">New York City</span><span style="font-size:12.0pt;font-family:"Times New Roman","serif";mso-fareast-font-family: "Times New Roman"">: The Free Press.</span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-24903268151884323082011-12-05T07:41:00.000-08:002011-12-05T10:41:57.874-08:00Song of the Dodo: Island Biogeography in an Age of Extinction, by David Quammen<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> 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mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <p class="MsoNormal">I had no idea why I was in that circle of chairs in that airy room. </p> <p class="MsoNormal">I was at grad school Orientation, a rather disorienting process, and my academic adviser was only the latest in a long series of people I’d met whose roles I didn’t fully understand and whose names I was almost certain to forget. There were a group of us meeting the same adviser, and since he coincidentally had all of us in class, he took the opportunity to tell us that he’d updated the online syllabus (there’s an online syllabus? Where? Help!), replacing the textbook with the book by Quammen—</p> <p class="MsoNormal">“Song of the Dodo!” I said reflexively, as though I’d been squeezed, as though I were a squeeze-bottle of ketchup and the name of the book was that first splat that overshoots your lunch and lands on your napkin. <span style="mso-spacerun:yes"> </span><span style="mso-spacerun:yes"> </span></p> <p class="MsoNormal">“Yes, that’s the book,” he acknowledged, looking rather nonplussed by the interruption. I’ll bet he was; I later asked him to be my thesis adviser, and he is a man of great authority and dignity. I wouldn’t interrupt him now, and I didn’t mean to do it then. But, disoriented as I was, at least there was one other person at my new school with good taste in books.</p> <p class="MsoNormal">I’d read <i style="mso-bidi-font-style:normal">Song of the Dodo</i> for pleasure the year before. A colleague of mine had a copy and had left it lying around. As you might guess, I read rather compulsively. I also have excellent recall, I don’t know why, but being able to remember that book saved me both time and money that semester. Time and money are always in short supply for grad students, or I would have happily read it again. It’s beautifully and entertainingly written, and—my teacher was right—it is an excellent introduction to many of the main concepts and people in conservation biology.</p> <p class="MsoNormal">See, there is no reason whatever why science writing should be so dry as to kill cows at a hundred paces. No, science writing should be full of…fresh grass and sparkling water and cool, spreading shade trees. Or spiders. One of those fun and fascinating things.<br /></p><p class="MsoNormal">Ecology is full of fun an interesting things. Environmental disaster is scary and sad, and it's actually much worse than most people realize, but you don't really get depressed about it. First, there isn't time, second, because there is so much awesome stuff to pay attention to. A nature geek is a kid in a candy-store <span style="font-style: italic;">all the time.<span style="font-style: italic;"> </span></span><i style="mso-bidi-font-style:normal">Song of the Dodo</i> is one of the few books that captures not just the content but the flavor of science. But that's not the primary reason why I have put it on my list. This is also another book that makes clear several basic, important ideas. </p> <p class="MsoNormal">Here is an example; size matters. <span style="mso-spacerun:yes"> </span>Say you isolated Lower Manhattan in some kind of impervious bubble so nothing but air and water could move in or out—no people and no money (this is my analogy—I won’t spoil Quammen’s for you).<span style="mso-spacerun:yes"> </span>Would you then have protected this financial and cultural hub for all time? No, of course not; the place would very quickly fall to ruin, because Manhatten is an island only in the geographic sense. Culturally and economically, it is part of a system as big as the globe. As a species, investment bankers need access to a wide range of resources, and will die out from any isolated area. Granted, if some cataclysm were about to befall the world and you <i style="mso-bidi-font-style:normal">had </i>a magic bubble that could protect a few square miles of human habitat, you might well decide to put it over Lower Manhattan (or the Bronx, or, say, my house, depending on your conservation priorities), especially if you thought the cataclysm might be temporary. <span style="mso-spacerun:yes"> </span>The occupants of your little Manhattan park could save the world, if they could hold out till the coast was clear. Noah didn’t have to live on the Ark forever, after all. But the situation would be far from ideal.</p> <p class="MsoNormal">Where this metaphor is going is probably too obvious by now to bear articulating. I don't mean nature preserves are bad, I mean they aren't enough. They aren't a place to stop and rest for long.<br /></p> <p class="MsoNormal">As Quammen points out, the actual song of the dodo is something lost not only to the world, but also to history.<span style="mso-spacerun:yes"> </span>Dodos get a bad rap; often blamed for their own demise on account of their supposed stupidity, dodos were perfectly adapted to the world as they knew it. The world simply changed. After contact with humans (and egg-eating rats) they went so fast that no one who heard the sound actually took notes on their call. It is possible it was a sort of a coo, and that their name was onomatopoetic; “do-do, do-do.” </p> <p class="MsoNormal">But, other songs still exist. 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<w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> </p><p class="MsoNormal">Quammen, D. (1996). <i style="mso-bidi-font-style:normal">Song of the dodo: Island biogeography in an age of extinction.</i> Touchstone: New York, NY.</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-77552546617129152032011-11-29T13:46:00.000-08:002011-12-01T10:02:38.063-08:00Global Warming: The Complete Briefing, by Sir John Houghton<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:targetscreensize>800x600</o:TargetScreenSize> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> 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Shading 2 Accent 6"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <w:lsdexception locked="false" 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<style> st1\:*{behavior:url(#ieooui) } </style> <![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} </style> <![endif]--><span style="font-size:11pt;">Global warming is one of those issues where educators and activists really have a bad deal. Most people just don't have time or interest enough to read scientific papers in all their dry-as-toast glory, so anyone wishing to reach the public on the issue is going to have to simplify and illustrate the message. Al Gore is notably good at this. However, no intelligent skeptic will miss that in crafting a message for the public, Al Gore has left some things out. Without enough background information on a subject, there's no way to tell whether the simplified version you're hearing is accurate, and no way to tell the difference being genuine alternative arguments and pure blarney. The very simplification that makes a message accessible also makes it harder to trust, and the non-expert ends up not knowing who to believe--or how to talk intelligently with people who believe something else.<br /><br />Sometimes the simple answer is also the hardest; eventually, you've got to buckle down and start reading, and Global Warming: The Complete Briefing lives up to its name.<br /><br />Sir John Houghton is, of course, also presenting a somewhat digested message. His book is not a compilation of papers and reports. But he does go into enough detail to allow readers to think for themselves rather than simply choose who to trust. I should say, before I go much further, that the version I read was not the most recent edition. Given how quickly the field of climatology is progressing, and how fast the climate itself is changing, I recommend going after the most recent edition you can find. There are currently at least four.<br /><br />Details included here range from exactly how the relationship between incoming sunlight and the greenhouse effect can be calculated to how we know that carbon dioxide is a greenhouse gas and who figured that out. Dry? Of course it's dry, but that doesn't mean it's boring or badly written. It takes some work to get through this book, but you'll be glad you did.<br /><br />If other books on the subject are directions, this one is a map. Directions are good--until you miss a turn or the route unexpectedly changes. Maps give you the bigger, broader view, and allow you to plot your own course no matter what unexpected questions come your way.<br /></span><p class="MsoNormal"><span style="font-size:11.0pt;">Houghton, J. (1997) <i style="mso-bidi-font-style:normal">Global warming: The complete briefing.</i> Cambridge:<i style="mso-bidi-font-style:normal"> </i>Cambridge </span></p> <p class="MsoNormal" style="text-indent:.5in"><span style="font-size:11.0pt;">University Press.</span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-8878925233898982672011-11-28T16:21:00.000-08:002011-11-28T16:41:15.203-08:00About the AdsHi, all;<br /><br />This is an atypical post. I have added a few adds, and I wanted to explain why. Yes, I am kind of hoping that readership will expand exponentially and that I'll be able to earn a nice little living by telling other people what to read (or, at least I'd like to be able to chip in on some groceries or a phone bill once in a while) but that's not the whole reason.<br /><br />The other part of the reason is I am curious. They don't let me pick which ads they run, after all; there's some sort of computer program that assigns my site ads based on what sort of things I write about. Since I am actually writing about things you can buy (books) I'm kind of curious to know if it'll run ads for the books I review? Or maybe it will figure out my politics and my preferences and post ads for products and services that I really hope more people will buy? If so, great!<br /><br />On the other hand, I could end up writing filler for a site pasted all over with ads for gas-guzzling, soul-draining gizmos. If that happens, I'll stop the ads, and if this blog suddenly becomes The Next Big Thing, I guess I'll just ha<span style="font-weight: bold;"></span>ve to be famous for free.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-12390746493447482522011-11-09T21:07:00.000-08:002011-11-09T21:10:51.040-08:00The Myth of Progress: Toward a Sustainable Future, by Tom Wessels<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> 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Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="font-size:12.0pt; font-family:"Times New Roman","serif""><br /></span><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">The first thing I realized when I met Tom Wessels was that I should not act like a groupie. He wouldn’t appreciate it. Of course, I was a groupie; I had just started grad school, and one of his books was more or less why I was there--not just why I was at Antioch, why I was in grad school at all. I wanted to jump up and down and squeal, but Tom would have thought that was stupid, and he would have been right. I was good and did not squeal or otherwise treat him like a celebrity, but I have recently given him a number of deserved compliments and I think he might be getting suspicious. So, in deference to his feelings, before I go any further in telling you why I think everyone needs to read his book, there is something I have to say, just to prove I am not engaging in groupie-ism; Tom is not a great writer.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">He is a good writer, a functional writer. You read his work, and you clearly understand what he means. This is all you really need to do, because like Tom himself, the writing is not supposed to be the thing you’re paying attention to. Like how you only really need to look at a window if it’s dirty, the only thing you really need to notice when a teacher speaks is what he’s teaching. Tom is an excellent teacher, and his books correspond to his classes so closely they sometimes have the same field trips—descriptions of specific places used to illustrate this or that point. Sometimes I felt in class as though I’d fallen into the book and could walk around in it, a bibliophile’s dream, but Tom’s is an artless art, and the real point is always what he’s trying to teach, in person or in print. In this case what he’s teaching is one of the things I think everyone needs to know, because it will clear some things up.<br /></span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">This is not the book that sent me to graduate school, by the way. That one, <i style="mso-bidi-font-style:normal">Reading the forested landscape,</i> is excellent, and if you are at all interested in natural history you should check it out, but not everyone needs to be interested in natural history. Everyone does need to understand the basic implications of the Second Law of Thermodynamics and also complex systems science.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">I’m sorry, did you just fall asleep? Or maybe run screaming off into the intimidated night? Don’t. It’s entirely unnecessary. Nothing in this book is really hard to understand, and while you do need to put forth some effort to think about it, the thoughts the book will lead you to think will be interesting. </span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">See, there are all these ideas floating around in our society, environmental sustainability, economic growth, cultural shifts, global warming. You hear one thing about them, and then you hear another, different thing, and we’re supposed to elect our leaders based on how they handle this stuff? You can’t very well get advanced degrees in <i style="mso-bidi-font-style:normal">all </i>of them. Yet physics embraces them all near their roots. Pick up a few basic ideas, and suddenly ecology, economics, climatology, and so forth all make much more sense. The way this works is kind of like what happens when you see a movie about something you’re at least halfway familiar with. The plot is about some scary conspiracy theory or some incredibly simple way to attain world peace if only people would have the courage they do in the movies, and if you don’t know the topic you half believe it. But if you know even a little about it, you already know that the conspiracy can’t happen, and that the simple solution won’t work. You have a basic sense of what’s what, and so you can stay oriented even if someone is throwing a lot of new information at you. Of course, in a movie theater the whole point is to get disoriented for a while, but otherwise you want that basic insider knowledge. You need to know a bit about <i style="mso-bidi-font-style:normal">why </i>things are the way they are, so you can see the difference between viable possibilities and flights of foolish fancy. Pick up a little physics, and you’re much less vulnerable to well-articulated bad ideas.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">I wish I could explain all of the ideas in the book for you, so you could really see why all this is important and interesting, but of course Tom has already done that, and if I did it again you wouldn’t need to read his book. Here’s one quick example, though, starting with economics, a particularly current hot topic. Turns out, Adam Smith, whom economists often invoke to support the wisdom of the free-market system, was studying a radically different kind of economy than the one we have now. I won’t explain how (read the book), but complex systems (including economies with a large number of independent, specialized businesses) are relatively stable, and simple systems (like economies dominated by a small number of very powerful corporations) are not. The Wall Street bailouts may have helped prevent economic collapse in the short term, but they did not increase the number of major corporations. Instead, the economy further consolidated, with the loss of Bear-Stearns. We are now <i style="mso-bidi-font-style:normal">more </i>vulnerable to collapse than we were before.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Complex systems are stable because they are capable of actively resisting outside pressure to change. You are a complex system; when the weather gets cold, your body shivers to heat itself up and you make various behavior changes to better insulate yourself. You are capable of maintaining the same temperature, within a few degrees, for decades on end, regardless of what the weather can do.<span style="mso-spacerun:yes"> </span>Complex systems grow, increasing in complexity and size, then maintain themselves for a while, and then grow old and die—this happens to hurricanes and rock bands and well as to living things. Babies are simpler than they will become, which is why they must wear cute little hats and socks to keep warm. Their relative simplicity makes them vulnerable. The aged and the ill also need more supportive care than the healthy, because as systems they are destabilizing, like wobbling tops (happens to the best of us, I’m afraid).<span style="mso-spacerun:yes"> </span>One simple way to measure whether an organism or an ecosystem is growing, in mature equilibrium, or dying is by measuring the energy it takes in and comparing it to the energy it gives off; kids eat a lot for their size, and a lot of that energy is stored in the body in the form of more pounds of kid. Forests put away more and more biomass until they mature, at which point they level off. A forest on fire, on the other hand, gives off a lot more energy than it takes in, and a lot of its mass flies away as smoke and carbon dioxide.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">The biosphere as a whole also put away biomass as it grew, until it reached maturity and equilibrium. The biomass it put away became coal and natural gas and petroleum. Fossil fuels are fossilized sunlight, in effect; burning it liberates energy that was originally captured from sunlight by plants millions, or even billions of years ago. As the biosphere loses this energy, it becomes simpler. One implication is that, in becoming simpler, it also becomes less stable, more like that wobbling top, more likely to fall down.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Another implication is that, like a burning ecosystem, the planet is dying. Or at least very, very sick. This is not a metaphor.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">I’ve already said that I’ve taken the classes that correspond to the books, so I’ve gotten this material both in print and in class. Some passages stick in my memory most forcefully as lectures or class exercises.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">One I remember most vividly included the concept of the world as a dying system. Tom did not mean that life on earth will cease any time soon; in terms of physics, the biosphere is going through a process equivalent to dying, but it can and almost certainly will rally. Life rallied before following each of five major extinction events, most notably the one that did in the dinosaurs. It will rally again. But recovery could take many millions of years, so the problem is not trivial. For comparison, our own species is not quite one million years old.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">But Tom also did not mean that life is hopeless. Hopeless people don’t talk about this stuff; they make hay while the sun shines. See, it turns out that when complex systems do change, they tend to do it fast, suddenly, and unpredictably. Think again about a baby; there is a stage in human development where we are hollow balls of identical cells. Then, suddenly, we twist into double-walled tubes and then rapidly differentiate into many types of cells. This isn’t exactly unpredictable because we all do it, but if you didn’t already know what to expect there’s no way you could figure out a hollow ball could do that. These sudden shifts can be disastrous or miraculous, the point is that when you push a system to change you usually don’t see any results until suddenly you get a lot of results. Tom explained this, and also explained that human societies, too, are complex systems. The hour is late, and it may be later than we think—we can’t predict what troubles might come next. But our culture’s tenacious commitment to business as usual in the face of global warming (and in the face of a growing economic and political disparity) isn’t proof that we aren’t going to change. Cultures, too, can shift suddenly, occupied, perhaps, by new and different things. </span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">All this Tom explained as the afternoon sun slowly sank behind the still-bare trees, and the already rather gloomy classroom darkened. No one turned any extra lights on, so that finally Tom, sitting backwards in his chair, spoke softly simply to shadow. Academics don’t often talk directly about hope, let alone action, but action was always implicit at that school, and sometimes people do the unexpected.</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">“If you want a fight,” Tom said, “this is a good one.”</span></p> <p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height: normal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Wessesls, T. (2006). <i style="mso-bidi-font-style:normal">The myth of progress: Toward a sustainable future. </i>University of Vermont Press: Lebanon, NH.</span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2631222153917684455.post-62214346457850681612011-10-25T08:00:00.000-07:002011-10-25T08:10:25.925-07:00The Science of Fear: How the Culture of Fear Manipulates Your Brain, by Daniel Gardner<!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:targetscreensize>800x600</o:TargetScreenSize> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-US</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> 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Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} </style> <![endif]--><b style="mso-bidi-font-weight:normal"><i style="mso-bidi-font-style: normal"> </i></b> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>First, I think we should all give proper credit to whoever came up with such a nifty, intriguing title. Second, I think we should all read this book <i style="mso-bidi-font-style:normal">now, </i>and until then we should refrain from watching the news, or voting, or talking to anybody about anything, because ten to one we’ve all been just a bit manipulated. This book will help protect you. This book will open your eyes. This book is where neurology and statistics have a torrid affair and produce a love child called Magic.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>Magic, as I see it, is the application of uncommon knowledge to make the apparently impossible possible. If you know how to wave a wand and produce a rabbit where no rabbit was before, that obviously qualifies, but understanding how the mind works, and where our undeniable points of foolishness are qualifies, too. Advertisers and campaign coordinators regularly conjure our money right out of our wallets using these sorts of spells, and while D. Gardner never uses the word “magic,” and might well object to my use <span style="mso-spacerun:yes"> </span>of the term in this context, it pleases me no end to think of this little book as a collection of counter-charms. And it’s my blog.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>So, you need examples. I open the book, at random, to page 80, and a principle the author calls the Example Rule. The Example Rule is that things seem more real and more important if you can easily picture a specific example. This rule (as explained earlier in the book) drives the sort of silliness whereby a single freak accident can trigger fear all out of proportion to actual risk. Right after I read the book, life provided a perfect illustration when we heard that twenty-some people nationally had gotten sick from contaminated cantaloupe. My husband and I looked at each other in fear; we had a cantaloupe <i style="mso-bidi-font-style:normal">right on the kitchen table!</i> Oh no! Of course, given the number of people in the United States, anything that only sickens twenty is probably pretty safe. So, on this page Gardner describes a study in which highly trained forensic psychiatrists were given a patient assessment and asked whether they would release such a patient. Half the psychiatrists were told the patient had a 20 percent chance of getting violent, the other half were told that “20 out of every 100 patients similar to Mr. Jones” would get violent. Notice that these two statements mean exactly the same thing, and that you can’t get to be a forensic psychiatrist if you don’t know what “percent” means. Yet of the psychiatrists who got the abstract term “percent,” only a fifth of them decided not to release Mr. Jones. Of those who got the easy-to-picture twenty violent people, <i style="mso-bidi-font-style:normal">two fifths</i> kept the fictional Mr. Jones locked up. And these are the guys who make decisions like this for real.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>The point isn’t that forensic psychiatrists are idiots, the point is that all of us have psychological pressure-points, and that even those of us who know better will usually buckle when one of these points is touched.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>The reason, apparently, is that we’re not living in the world our brains are designed for. Until the invention of the telegraph and the locomotive, communication was slow enough, and most communities were small enough, that if twenty people got food poisoning and you heard about it, they were probably your neighbors and thus not only a large portion of a small group, but also the people likely eating the same food you were. Better throw out the cantaloupe. Since the emotional mind is faster than the rational mind, such intelligent but somewhat clumsy fear can help a person play it safe until the rest of the facts are in and you can think clearly. The Example Rule is only one of several principles Gardner articulates by which our emotional minds make quick judgment calls while we wait for our intellects to catch up. They’re not bad, we just need the means to use our intellects to supplement these short-cuts, since they don’t work all the time.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>Here’s where statistics become magical. The Example Rule is a hard-wired psychological tendency and we have it because it works, or used to, anyway. It’s rooted in evolutionary trial and error, not reason, but a rational principle can nevertheless be extracted from it; the more often something has happened in the past, the more confident we can be that it will happen again. Until recently, the most familiar incidents were almost always either the most common (everyone knows somebody who got sick from bad cantaloupe) or the most extreme (no one will ever forget the year when half the tribe died from bad cantaloupe), so the Example Rule provided a neat shortcut to identifying both high-probability events and high-impact events. Probability and impact together make risk. Now look at statistics. The simplest statistic (and the only one I really understand mathematically) is risk expressed as a percent, as we saw earlier with Mr. Jones; you define the situation clearly enough that you can recognize it when it repeats, then divide the number of times patients like Mr. Jones get violent by the number of times they eat cantaloupe, and you get a fraction that expresses the risk involved in feeding cantaloupe to Mr. Jones. Then you convert the fraction to the standard denominator of 100, so you can easily compare the risk of violence in the 37 mental patients who ate cantaloupe with that of the 43 who ate watermelon without bending your brain too badly. Now, silliness aside, <i style="mso-bidi-font-style:normal">this is the Example Rule.</i> By using clearly defined numbers well, the basically sound rationale of native human intelligence is taken out of the shadows of the emotional mind and into the sunlight where you can see whether anyone is monkeying with it. And checking for monkeying is exactly what all of us need to do.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>The point of <i style="mso-bidi-font-style:normal">The science of fear </i>is that under certain circumstances we are all overwhelmingly likely to make certain predictable mistakes and yet be absolutely convinced we are right. We <i style="mso-bidi-font-style:normal">feel </i>right. Knowing what these common mistakes are is not enough, because we will still feel right. Feeling right will lead us to believe we must be smarter than all those idiots out there who reflexively fear yellow melons. We’re not. The key is to recognize the weak spots where the head knows better than the heart, and think carefully. Whether there is intentional monkeying or an honest cloudiness, the magic in this book breaks the spell.</p> <p class="MsoNormal"><span style="mso-tab-count:1"> </span>I will close, by way of explaining why all this is important, with the same example Daniel Gardner opened with; the attacks of September 11<sup>th</sup>, 2001. On that day, of course, airplanes full of people were appropriated for use as missiles in order to kill and terrify other people. Naturally, no one wanted to get on a plane for about a year after that; the example of planes exploding was too fresh in the collective mind, and flight seemed too dangerous. Instead, many people drove. Except that the risk of dying in a car crash is so much higher than the risk of dying in a plane crash that, according to Gardner, </p>“even if terrorists were hijacking and crashing one passenger jet a week in the United States, a person who took one flight a month for a year would have only a 1-in-135,000 chance of being killed in a hijacking—a trivial risk compared to the annual 1-in-600 odds of being killed in a car crash.”<br /><br />Since car crashes are generally considered routine unless you’re in one, they don’t often make the news, and that risk isn’t uppermost in anyone’s mind. But since the risk of dying by car is fairly constant, more people driving means more people dying in cars; if 6000 people drive for a year, then roughly ten will die. If 12,000 people drive, roughly twenty will die. Based on the number of extra people on the roads during the year when few people were flying, 1,595 people died in cars because they were afraid of airplanes. That's a powerful spell, and we need an equally powerful spell to counteract it.Unknownnoreply@blogger.com4